Durga, an ordinary housewife living in a large ancestral home, returns one day to find her family and house hijacked by four deadly terrorists seeking shelter. Driven by the primal instinct of a mother and a powerful woman, Durga decides to take matters into her own hands, transforming into a warrior to end the nightmare and save her family.
Evelyn and Beverly are sisters that couldn’t be more opposite from one another. Beverly, outgoing for life, left the family and married a wealthy man. While Evelyn enjoys the simple things, stayed in their hometown looking after their mother. After the death of their mother, the two sisters come together on a dark and chilling night where they discover her final wishes.
The story of two people going through crises coincides with the reality of the last sanatorium of its kind. For over 100 years, people have come to this place in the hope of being cured. So do Nina and Henri, both in mid-life, burnt out, and from different backgrounds. Their paths cross between the dining room and therapy, at a time when they are struggling to find their inner peace. Then the place is snowed in and everything becomes slow and quiet. The ghosts and stories from the long corridors become their companions. While the two read each other the riot act and try to forget their loneliness, a historian digs through the house archives for documents from the early days of the sanatorium. She researches the sanatorium as a focal point of the modern history of exhaustion and traces a narrative from neurasthenia to the inner restlessness of the present for her dissertation. The house becomes a setting for an archaeology of exhaustion.
On 13 November 2015, Paris is rocked by terrorist attacks. The football stadium where the German national team is playing is also affected. Documentary featuring Oliver Bierhoff and others.
The Road to Sydney follows the journey of Jay Loyola, who grew up in Palawan, enduring abuse from peers and his father while hiding his true identity. Encouraged by his mother, dance became his refuge and lifeline. Moving to America, Jay embraced his authentic self, becoming Sydney, a choreographer seeking acceptance in a new land.
Legendary film actor Juozas Budraitis turns 85. Over his career, he has appeared in more than 120 films not only in Eastern and Central Europe but also in Switzerland and Italy. Film sets brought him close friendships and moments of joyful creativity. Yet today, many of his colleagues are gone, and the actor is increasingly visited by the regret of unfinished work. The Old Man’s Journey is shaped not by the structure of a traditional biographical film but by the fragmentary nature of memory. The roles he has embodied remain etched in his recollection no less vividly than the key events of his life, and so the film guides the viewer between Budraitis’s youthful memories and his most significant cinematic experiences, weaving them into a single, nostalgic stream of remembrance.
Based on true events, the film follows Mathilde Cordier, a young detective from the Criminal Investigation Division with a history of abuse, is laid off as an intervention goes awry. Following the disappearance of a young girl, Mathilde, outside the law, will conduct her own investigation and follow the trail of a man named François Renard. A man with a troubled and violent past who claims to have settled down. As she sinks into a spiral of darkness, Mathilde faces the most monstrous aspects of humanity.
Set in Accra during the heart of 𝘿𝙚𝙩𝙩𝙮 𝘿𝙚𝙘𝙚𝙢𝙗𝙚𝙧, the story follows Kofi, a Ghanaian boy, and Bianca, a girl from London, as their worlds collide in a haze of rhythm, heat, and emotion. What begins as a spark of attraction becomes a deeper reflection on what love means when it isn't meant to last.
They may have different goals, but their ambitions beat to the same rhythm. But nothing ever goes smoothly - friendship is always tested in the heat of conflict. Will they make it to the final performance together?
A woman encounters a hitchhiker in the middle of the night while driving. From there, things spiral into absurdity, blurring the lines between what's real -and what isn't.
Ayu, a Javanese waitress whose tragedy was adapted into a film, faces Susan, the Indo-Dutch actress portraying her, in a promotional segment titled Food Wars: Indonesia vs. the Netherlands where power balances are tested and contested.
The Spectacle is a short reflective documentary that explores the world of modern tourism. Filmed in various locations across Europe, the documentary unveils the transformation of serene landscapes into bustling tourist attractions. What remains truly seen and felt amidst the curated snapshots of our adventures?