Legendary film actor Juozas Budraitis turns 85. Over his career, he has appeared in more than 120 films not only in Eastern and Central Europe but also in Switzerland and Italy. Film sets brought him close friendships and moments of joyful creativity. Yet today, many of his colleagues are gone, and the actor is increasingly visited by the regret of unfinished work. The Old Man’s Journey is shaped not by the structure of a traditional biographical film but by the fragmentary nature of memory. The roles he has embodied remain etched in his recollection no less vividly than the key events of his life, and so the film guides the viewer between Budraitis’s youthful memories and his most significant cinematic experiences, weaving them into a single, nostalgic stream of remembrance.
Ghost Odyssey returns to uncover the mystery of a dangerous living doll, Ruby and her strange owner. Meanwhile, the new Monster Odyssey team are on a quest to capture the legendary Mothman.
A woman, once captured in a 35mm image, waits to be seen. Light shapes the image and creates a new life form in this dance of pixels on analog skin. By working with different facets of the cinematic apparatus, this film is a transfeminist analysis of a single film frame.
For the terminally ill Izzet, time is nearly up. Doctors have given up, prayers and rituals offer little help, and his family's future is now in God's hands. So Izzet spends his time in virtual reality, roaming through the astonishing and otherworldly places of the virtual cosmos. He even meets his girlfriend there…
Vellakuthira follows Kathir, a greedy man whose hunger for wealth drags his family into a financial crisis. Forced to flee after a violent confrontation, Kathir, his wife Kayal, and their son move to their ancestral village, hoping for a fresh start. But old habits die hard - when Kathir discovers a local herbal drink with great market value, temptation strikes again. As he chases profit and the villagers fight against exploitation and neglect, the story unfolds into a gripping tale of greed, redemption, and survival.
A couple returns to Aghdam, the city they once fled 32 years ago due to the war. It's a story about memory held in people, and about the small, powerful ways the past resurfaces when you finally face it.
Alice, a basketball player, secretly likes Wayne and helps him finds his clothes after a birthday prank. She plans to invite him to see fireworks and confess her feelings despite knowing another girl likes him too. But Wayne never shows up. Alone, she finds a love letter to the other girl in his pocket and walks home in quiet heartbreak.
Badaa Karara Pudna follows the journey of six spirited sisters who reunite for an unexpected challenge. What begins as a nostalgic attempt to relive their youthful days soon turns into an emotional rollercoaster as old wounds resurface, egos clash, and differences threaten to break them apart. With its blend of emotion, humor, and celebration, the film captures the essence of tradition, the power of togetherness and stands as a true ode to womanhood.
After losing his wife Jessie in an attack by Scarface and his gang, John Musgrave is consumed by grief and rage. When an old friend, Chris, arrives at his farm with news that Scarface is hiding in a nearby forest, John sees only one path forward — revenge. But as the hunt begins, questions of justice, loyalty, and how far a man will go for closure come to the surface. In the silence of loss, vengeance speaks loudest.
Over several days, director Kornii Hrytsiuk spoke with Russian prisoners of war in a Ukrainian prison. He asked them about their reasons for going to war, their feelings of guilt, and their lives before the war. What remains is a paralyzing “somehow.”
La Bonita and Cristina are two trans cooks who work on the cargo ships that travel around the rivers of the Peruvian Amazon. Both have begun to detransition themselves, one to fulfil a promise made to her dead mother, the other for fear of eternally burning in hell.
Juyeon's grandmother has lived in the same house in Gwangju for over thirty years. She was living there at the time of the uprising on 18 May 1980. Three decades later, the bullet hole is still visible on the balcony. Juyeon decides to delve into her grandmother's past.