Lost soul Dermot is newly widowed and turns to an unusual pastime to process his pain. But his gatecrashing of every wake he can across rural county Antrim doesn’t go unnoticed. The new funeral director and her young son catch him in the act but then make him an offer he surely can’t refuse.
Cliché damsels in distress throughout film history share a common thread: their stories are often interrupted by a man. In truth, they don’t need saving at all. When they come together, they realize how much feminine energy they need in their lives.
This film takes us inside the mind of Parkin Costain. When his younger self shows up late for school, he begins to wonder what life beyond the classroom might look like. What follows is nothing short of epic: in 2025, Mother Nature revealed her very best in his home mountains — and Parkin made the most of it. It marks his first personal project, with Parkin himself taking on the roles of producer, director, and editor. Backed by the world-renowned ski film crew of Teton Gravity Research, he delivers a piece that proves why he is one of the most extraordinary athletes of his generation — redefining skiing on a global scale.
Vera goes to visit her dad in Dorni valley. Here, they will soon find out that his house is in danger. Vera realizes that she must take matters into her own hands to save the house.
In Recife, a group of young researchers specializing in paranormal phenomena is hired by an enigmatic businessman to find the legendary treasure of Branca Dias. As they delve into the city's rich history in search of clues about the mysterious artifact, they find themselves entangled in a web of frightening secrets hidden in the capital of Pernambuco, putting their lives at risk as they try to unravel the hauntings that surround them.
Emi lives with his adoptive parents in the suburbs of Buenos Aires. He is trying to find a job to cover his expenses and, at the same time, beginning a search for his biological parents. Over time, he will find work at a repair shop and start associating with both his employer and his family. However, this is no coincidence.
For Estonian-based filmmaker Volia Chaikouskaya, the 2020 Belarus uprising was not just news – it was personal. While thousands in Minsk rose up against the brutal regime of Alexander Lukashenko and rallied behind opposition leader Sviatlana Tsikhanouskaya, Volia felt the same pulse across borders. Unable to return home, she became both observer and participant, organising solidarity actions in Tallinn and gradually stepping into her own film as a subject. At the heart of the story are three women – Sviatlana, Nadzeya, and Masha – whose husbands were jailed as political prisoners and who themselves emerged as central figures of the movement. Their fearless defiance against dictatorship mirrored Volia’s own struggle to break free from the inherited fear of silencing, repression, and exile.
The film observes the time when robotics and artificial intelligence are becoming an integral part of everyday life in Latvia. It follows a society that – simultaneously curious and skeptical – learns to live with technologies that are inevitably becoming an integral part of everyday life in schools, shops, work and leisure, even in church. Without interfering, just being present and observing, the film captures everyday and often comical moments: how students get acquainted with a telecommunications robot, how an automatic holy water dispenser welcomes believers in church, and elsewhere someone learns to drive a car in virtual reality.
After being locked down, Rex and Amy invite their friends over to a house in the middle of nowhere. A girl named Florence shows up claiming to have been kidnapped and attacked, but unknown to them a killer is hiding among them.
Alicia is a young woman scarred by post-traumatic stress that has haunted her since childhood. Everything changes when, due to a significant event, she is forced to embark on an introspective journey through her memories. Along the way, she must confront her deepest fears and reconcile with the darkest moments of her past.
Elena faces a crisis as she grapples with an unplanned pregnancy. Seeking guidance, she visits Hipocampo Video, a company that collects memories and transfers them to DVD for public rental. Through her late mother's memories, Elena discovers different stages of her life and understands that being a mother and daughter is a cyclical experience. She realizes that her mother was also once young and insecure, just like her. This journey ultimately helps Elena decide whether or not to keep her child.