An Indigenous woman, Sarah, recounts to her grandson Devin a story from her time in Residential School, when she was believed to be possessed by a demon.
In the late 19th century, thousands of Native Hawaiians with leprosy were torn from their families and banished to a secluded peninsula on the island of Molokai. Into this place of despair came a young Belgian priest, Father Damien, who chose to share their fate. He ate with the sick, bandaged their wounds and dug their graves. To his critics he seemed reckless and stubborn, but to the people he was father and friend. In time, Damien’s compassion led him to contract the disease himself, becoming one with those he served. When he died of leprosy in 1889, the world mourned him as a hero and saint. His sacrifice would inspire generations, from Robert Louis Stevenson to Gandhi and Mother Teresa.
A deceased son attends his own wake. While the house spirits throw him a welcome party, he tries to make contact with his grieving father, played by Jens Albinus. A short film from Filmwerkstatt Aarhus, reminiscent of Dogma 95.
“There were so many of us, but when it all ended, each of us went our own way.” We see footage of the Green Movement, a wave of protests in Iran that began in the summer of 2009, in response to the presidential election fraud in favor of the incumbent president Mahmoud Ahmadinejad. We see the chaos, the solidarity among the people, and the amazement too: that this is possible, that this is actually happening. Shaky handheld images capture both the energy of the crowd and the panic when shots suddenly ring out. Meanwhile, a voice-over calmly recounts what happened to the people we see.
Sol accepts the invitation of Naty, an old friend she hasn't seen in seven years. The plan is to spend the weekend together and perform an ayahuasca ritual. But the trip reawakens old, unresolved emotions among the friends.
An immigrant masseuse prone to fantasising about her freedom finds the tedium of her life interrupted—and fulfilled—by a series of calls from a mysterious customer.
Experimental audiovisual work of art. First I used an individually prepared (manipulated) CRT (analog) television, then digital editing followed. This piece refers to the birth of video art when the images were modified with a magnet. The sound / noise was also generated by the magnet, so it is a real-time audiovisual improvisation / 'comprovisation'. Aesthetics of error and visual music where you can almost see what you can hear.
At the edge of despair, Dradul stands on the historic Mani Monastery Bridge, ready to end his life. But fate intervenes. A stray horse and a curious passerby, Jiminem, delay his plan. A chance encounter slowly opens a door to healing. In the quiet moments that follow, life begins to reveal its fragile beauty.
With the onset of the Russian invasion, Erko resolves to help in Ukraine as a volunteer medic. And yet the longer his mission goes on, the more removed he grows from his family back in Estonia. An Estonian perspective on the war in Ukraine and the burden that volunteers have to shoulder in its shadows.
Two statues fall in love during an earthquake – the boundaries between religion, physics and desire become blurred. The silent interplay of movement, destruction and new life shows how love can arise without words.
Here lies an old promise that cannot be fulfilled. A prophecy that has outlived its promised time endures, layered with ever more intricate and intense images. It whispers in changing voices - of time and space that cannot be reached.
A story of Sim, a two-time Olympic gold medalist wrestler who has spent his life grappling with the ground. Haunted by monstrous floor, he reminisces, preaches, and worries.