Imprinted is a journey into the world of choreographer JoAnna Mendl Shaw, whose work with dancers and horses reveals a choreographic language that redefines how we connect to animals, to one another, and to ourselves.
An experimental animated documentary that explores dehumanization and survivor’s guilt within the unique and complex fabric of the Palestinian experience.
A film directed from exile: through her brother’s lens, the director seeks to capture the lives of Iran’s nomadic women who weave carpets – a powerful metaphor for feminine creation and resistance. Their collaboration also carries a symbolic weight: patriarchal structures seem to be repeated on the surface, yet in truth it is the woman who leads, decides, and shapes the narrative.
As a nun, Elisabeth‘s faith is unshakeable. But shortly before taking her final vows, a love from her youth reappears, stirring memories of the past and long-buried desires. Now Elisabeth must choose: will she devote her life to the convent, or is love more important after all?
A bizarre dream like a pink bubble of chewing gum. Stumbling onto the stage in curlers and pink silk pyjamas. About self-doubt and the courage to show yourself as you are.
In this intimate short film, a young person reconstructs fragments of their story, tinged with melancholy, grief, and the memory of their mother. Through reflections on sadness, emotional inheritance, and the sea, ‘Azul’ becomes a sensitive portrait of what remains when someone is gone, and of what endures: a voice, a color, a desire. Sometimes everything is tinged with blue.
Set in a dystopic America, married couple Adam & Steve run from Project 2025 and battle crazy Christian Nationalists, only to realize that their gay love might just save mankind's soul.
"Mist and Smoke" is a personal film born from a period where my faith in love was fading. The act of making this film became a transformative experience, one that gradually healed me and restored my belief in LOVE. This is my journey. Watch it and join the journey with me!
In a bureaucratic future where singles must attend the government-run “Eternal Love” program, 35-year-old Alvar is given one last chance to find a life partner—or spend the rest of his life working as a gardener for couples.