Eighteen-year-old skater Noah faces emotional collapse after his father disowns him for failing to graduate. As his friends move on with their lives, he must repeat his final year, haunted by the fear that this may be their last summer together. His best friend Finn drifts away, and Noah’s relationship with his on-and-off girlfriend Maja falters as she flirts with others. The group’s hot, hazy summer of skating and drinking unravels when a shady photographer lures them into a morally dubious situation. Humiliated and isolated, Noah’s anxieties and longing for connection surface—but in an unexpected twist, he finds fragile comfort in the very man who exposed him, a photographer grappling with his own past losses.
From a small apartment in Buenos Aires, disturbing material was recovered.
What begins as a simple documentation of everyday life turns into a dark and nightmarish descent.
The discovery of apartment 1C was no coincidence… and you shouldn't look at this poster at night either.
Set against the peaceful backdrop of a small county in rural Tennessee, Our Breath explores the intersecting lives of five friends: Benny, Leslie, Aubrey, Jack, and Casey.
Nora is a young woman like no other — and she’s hiding an unusual secret. When Eddie, her crush, is about to uncover it, everything spirals out of control…
“Murder They Talked About” is a satirical short film that pokes fun at gossipy true crime podcasts. It follows George and Mary, two self-appointed sleuths with more enthusiasm than expertise, as they dissect the details of a sensational murder.
Over a period of 16 months, herders in the Georgian region of Tusheti guide vast flocks of sheep back and forth between the snow-covered Caucasus peaks and the remote Vashlovani steppes. The herders are transient figures in this dialogue-free film, leaving barely a trace in the landscape.
Years afterwards, director Carla Valencia Dávila rediscovers videos of a cycling trip she made through Uruguay in her youth. The shots of rolling highways, deserted hotels, and unexpected encounters set her thinking. It feels as if someone else had filmed them.
Inevitable as it seemed, the premature death of Russia’s main opposition leader Alexei Navalny on 16 February 2024 still came as a shock. Immediately afterwards, his supporters went to the monument that President Putin himself unveiled in 2017 for the victims of Stalin’s political oppression. The large crowds laid flowers, which were instantly removed by police. Over time, the commemorations continued and merged with opposition to the invasion of Ukraine. Arrests followed, and peaceful protest has been brutally suppressed. Among the demonstrators is Alyona, a young woman with blonde curls and a pink coat. She refuses to be silenced by police batons and is taken away. Facing absurd charges, she must undergo a trial and risk an excessively harsh sentence. Her terrified mother begs her to passively endure the political repression, and avoid getting into further trouble.
In a cactus nursery in Palermo, a strange human community lives in a weird symbiosis with insects and plants, sheltered from the violence of the world. This fragile ecosystem is threatened by the arrival of disinfection agents looking for an ant that is considered a pest.
Fascinated by the mysteries of quantum mechanics, director Anne Jeppesen reflects on their implications for everyday life. For if the state of particles is only certain when observed, what does that mean for the adjacent room? Jeppesen imagines clouds of particles that are “shaking, glitching, tinkling, dancing, jumping” until she looks at them: “When I observe [...], reality changes from clouds of possibility to fact.”
Abstract images and written text are the two components of this testimony of domestic violence, physical and psychological, that shaped the narrator’s childhood. It is told by a woman who recalls diffuse memories of a decade of abuse endured by her and her sisters, and their escape from it. The text, which appears on screen sentence by sentence, does not tell the entire story. These are fragments, snippets, shards of a story.
Thousands of workers take the ferry across Lisbon’s Tagus River every day. They’re commuters just like those you see everywhere in buses, trains and subways. In the ceaseless flow of humanity they disappear anonymously into the crowd. This film is Gonçalo Pina’s cinematic tribute to these “invisibles.”
The U.S. military developed the Da Vinci surgical robot in the 1980s. Remotely controlled by doctors, it was designed to help wounded soldiers in dangerous battlefield conditions. Nowadays the device is used in many hospitals, including for heart surgeries and complex cancer procedures.
Two police officers find themselves in a grisly fight for survival after an outbreak of a zombie virus, which causes its victims to develop an extra pair of eyes, begins in their town.