In this chronicle of a vaudeville family, Myrtle McKinley (class of 1900) goes to San Francisco to attend business school, but ends up in a chorus line. Soon, star Frank Burt notices her talent, hires her for a "two-act", then marries her. Incidents of the marriage and the growing pains of eldest daughter Miriam are followed, interspersed with nostalgic musical numbers.
Set against the backdrop of 1980s Britain, four young men – Boy George, Roy Hay, Mikey Craig, and Jon Moss – formed a multi-racial, ethnically diverse, and sexually liberated band with a style and sound that challenged the status quo during the era of New Romantics and Margaret Thatcher’s Britain.
Tram driver Marie has far too much to do after her shift is over. But she likes to do it all since she loves her husband Václav sincerely. One day she spots him on the Lesser Town Square in Prague, kissing an attractive blonde good-bye. It seems to Marie that her small comfortable world has collapsed and she walks out of the tram in tears. But her sadness does not last long. She wipes off the tears and begins to act. She withdraws all the money from their savings books and buys off all the latest models from the Fashion Works. The visit to the beauty salon then completes her transformation into a lady.
The story takes place in two kingdoms—Tatranský and Vltavský. The royal parents of the former have a son of marriageable age, while the latter have a daughter at an age when princesses are most interested in choosing a noble groom, preferably at a lavish ball. However, Princess Liduška is interested in only one thing in the whole world—her beloved carrier pigeons. She devotes all her time to them, and the only man she communicates with, of course via pigeon post, is an unknown fellow breeder. But Prince Vranko is also not interested in getting married and ascending the throne... And to top it all off, the clever maneuvers that Liduška and Vranko use to thwart their parents' wedding plans are complicated by a magical duo—the wizard Čaro and the witch Boska.
Michael Hutchence was flying high as the lead singer of the legendary rock band INXS until his untimely death in 1997. Richard Lowenstein’s documentary examines Hutchence’s deeply felt life through his many loves and demons.
Freddie Mercury (1946-91) was not just a man with one of the most pure and amazing voices the world has heard, but he was also the lead singer for Queen, the most enthusiastic rock band in history.
Bandya and his two companions are members of the Konkan-born Koli ethnic group. The three young people embark on a quest and encounter some obstacles along the way. Tune in to the movie to know more about their hardships.
After an accidental drug overdose, a talented teenage DJ goes to live with his estranged father in a small Army town, where he gets to the bottom of his own pain and learns empathy for others.
With a narrative running deeper than a catchy tune and cryptic verses, “American Pie” is a musical phenomenon woven deep into the history of American culture, entertaining audiences around the world for over 50 years. This documentary tells the stories of the people who were a part of this moment from the beginning, shows the point of view of a new generation of artists who are motivated by the same values and ideas that inspired the song’s creation, and highlights cultural moments in America’s history that are as relevant now as they were in 1971, when the song was released.
Future’s life on and off the stage comes into sharp focus in this revealing documentary. Director Marcus A. Clarke follows the East Atlanta rapper on the 2016 Purple Reign tour, capturing live performances including “Gucci Flip Flops” and “Mask Off” as well as rare downtime—shooting hoops with Young Thug, doting over his kids, and listening to “Digital Dash” playback in the studio with Drake. Guests like Organized Noize’s Rico Wade, DJ Khaled, Metro Boomin, Yo Gotti, and André 3000 speak on Future’s obsessive work ethic and unique rhyme style. But it’s Future talking candidly about formative life moments—selling drugs, getting shot, his grandfather’s passing—that demonstrate his passion and desire to stay on top.
Spike Lee pays tribute to Michael Jackson's Bad on the twenty-fifth anniversary of the epochal album, offering behind-the-scenes footage of Jackson recording the album and interviews with confidants, musicians, choreographers, and such music-world superstars as Kanye West, Sheryl Crow, Cee Lo Green and Mariah Carey.
Made during the early years of the movie musical, this exuberant revue was one of the most extravagant, eclectic, and technically ambitious Hollywood productions of its day. Starring the bandleader Paul Whiteman, then widely celebrated as the King of Jazz, the film drew from Broadway variety shows to present a spectacular array of sketches, performances by such acts as the Rhythm Boys (featuring a young Bing Crosby), and orchestral numbers—all lavishly staged by veteran theater director John Murray Anderson.
Left brain and right brain duke it out and then belt out a tune in comedian Bo Burnham's quick and clever one-man show. As intelligent as he is lanky, Burnham cynically pokes at pop entertainment while offering unadulterated showmanship of his own.