Inspired by the German folktale, Wilhelm, a file clerk, falls in love with a huntsman's daughter. In order to marry, Wilhelm must prove his worth as a hunter and gain her father's approval. Naive and desperate, he makes a deal with a devil named Pegleg.
This May 2010 production of Massenet's 1910 opera "Don Quichotte" marked the opera's centenary and also Jose Van Dam's operatic farewell at the Theatre de la Monnaie, Brussels. It is beautiful in every way--vocally, scenically, sonically, and visually--and a worthy record of Van Dam's farewell. Van Dam is just shy of 70 in this production, but you would never guess it from his singing or stage movements--a consummate artist. His is a noble portrayal and deeply moving. The Act V death scene is a model of beautiful singing and acting.
Russell Walker is a young, successful manager of rap performers, handling acts for the Krush Groove label, including Run-DMC and The Fat Boys. When Run-D.M.C. has a hit record and Russell needs more money to press more copies, he borrows it from a street hustler and soon regrets his decision.
Hamlet returns home from drama school in United States, after the cold-blooded assassination of her father by her uncle, who has married Hamlet’s mother. After seeing her father’s ghost, Hamlet decides to feign insanity, in order to get to the truth.
Nirvana's groundbreaking 1991 album NEVERMIND raised the Seattle trio to the status of Godhead, forever changing the face of the pop music market. "Here we are now, entertain us" may have come and gone as a catch-phrase, but as an insight into a generation's bitterly restless tide, it ranks right up there with "I can't get no satisfaction." Part of the CLASSIC ALBUMS series, this release sheds new light on the production and legacy of NEVERMIND through revealing interviews with industry insiders. With unprecedented openness, remaining band members Krist Novoselic and Dave Grohl discuss the production of individual songs, and tell amusing anecdotes about the band's financial struggles just before making it big. In addition, NEVERMIND producer Butch Vig invites viewers into his studio, where he dissects and examines each of the album's tracks. By isolating, examining, and reassembling each instrument and vocal track, Vig is able to recreate the manner in which the album was produced.
In a virtually all-white Iowa town, Flip daydreams of being a hip-hop star, hanging with Snoop Doggy Dogg and Dr. Dre. He practices in front of a mirror and with his two pals, James and Trevor. He talks Black slang, he dresses Black. He's also a wannabe pusher, selling flour as cocaine. And while he talks about "keeping it real," he hardly notices real life around him: his father's been laid off, his mother uses Food Stamps, his girlfriend is pregnant, James may be psychotic, one of his friends (one of the town's few Black kids) is preparing for college, and, on a trip to Chicago to try to buy drugs, the cops shoot real bullets. What will it take for Flip to get real?
In the life of TV presenter Lisa, everything revolves around her talk show, celebrities and the ratings. There is just as little room for love as there is for her mother Maria. When the 66-year-old loses her memory after a fall in her apartment and wakes up in the hospital, she can only remember that she has never been to New York and sets off immediately. Lisa goes in search of Maria with her makeup artist Fred. She struck gold on a cruise ship that was just leaving for New York. As stowaways, the three have no choice but to earn the passage. While Fred is hired as an assistant by the Greek on-board magician Costa, Lisa and Maria have to work in room service. The crossing soon takes surprising turns for mother and daughter: Maria falls in love with the charming dancer Otto, who supposedly knows her from before, and Lisa takes a liking to the widowed statistician Axel Staudach, who is traveling with his son Florian.
Put together full-blown performances by Michael Tait (Hero) of dcTalk and Tait, Mark Stuart (Petrov) of Audio Adrenaline, Rebecca St. James (Maggie), and T-Bone (Jairus) not to mention the additional 17 performers, actors, and dancers, as well as a live band with multi-projection screens, artistic stage lighting, professionally designed stage sets and multiple wardrobe changes and this is !Hero, The Rock Opera "Live on Stage." Allow yourself to imagine the modern world without the presence of Jesus Christ...until now. He has been born in Bethlehem, Pennsylvania as Hero, and is making waves in the present day political and religious systems of New York City. From the awe-inspiring miracles to his bittersweet death and rejoicing resurrection, !Hero is paralleled with the biblical recollection of the life of Jesus in this rock-n-roll meets Broadway-esque event.
A chronicle of country music legend Johnny Cash's life, from his early days on an Arkansas cotton farm to his rise to fame with Sun Records in Memphis, where he recorded alongside Elvis Presley, Jerry Lee Lewis and Carl Perkins.
In his short lifetime, J Dilla was a musician, producer and visionary who profoundly influenced rap and hip-hop. Given how prolific he was in his 32 years, why didn't his accolades come sooner?
James Taylor: Live At The Beacon Theater is the documentation of an incredible live performance by soft rock singer-songwriter James Taylor. This live concert features many of Taylor’s greatest hits performed in front of an intense audience. These hits include, but are not limited to the songs Fire and Rain and Sweet Baby James from the many multiplatinum albums by this enduring artist. As a bonus in this film, Taylor also shares the stories behind his many songs and how he came to write them. He also talks candidly about his career in this fabulous performance, which is a testament to his great talent and creative abilities.
Andy Williams celebrates the holidays with his entire family, including his siblings, The Williams Brothers, and his wife, singer Claudine Longet. The Osmond Brothers are also along to add some festive cheer.
A rather incoherent post-breakup Sex Pistols "documentary", told from the point of view of Pistols manager Malcolm McLaren, whose (arguable) position is that the Sex Pistols in particular and punk rock in general were an elaborate scam perpetrated by him in order to make "a million pounds."