Despite what's printed on the credits, Tex Avery had nothing to do with this cartoon - it's a Cinemascope remake of 'Wags to Riches' (1949), put together by others from his original artwork and production cels. Apart from the new Cinemascope backgrounds, it's identical to the earlier film.
This animated anthology is comprised of eighteen updated nursery rhymes and features such celebrity narrators as Eli Wallach, Linda Hunt and Karen Allen.
A dark and stormy night in a drugstore. The druggist mixes a potion and falls asleep. The skull-and-crossbones on the bottle comes to life and drips the potion on the druggist.
It's a catastrophe! A flood has hit our planet and an unusual group of people are all that remains. Led by Ferdinand, a modern day Noah, this little group have managed to defy the furiously raging elements. People and animals alike are dragged through this incredible whirlpool of an adventure.
Popeye and Bluto are deep sea divers. Popeye has a treasure map; for some reason he cuts Bluto in on the deal, but of course, Bluto's idea of 50-50 isn't exactly fair...
In a fishing village contaminated by a thermoelectric power plant, Mecha (33) is the grieving soul of an environmental activist who died under suspicious circumstances. The day after his death, she tries to reconcile with her son Juan (16) and to make him take charge of her memory.
Rocky McSnarl breaks out of prison and swears revenge on Dogfather, so he hide out in a hospital as a patient. However, Rocky finds out where he is and gets a job as a nurse at that same hospital. Last "Dogfather" cartoon.
Mexico 1914. During the Revolution, a raid by the army in a small mining town leaves Gapo, 11, orphaned. Taken captive to be turned into a child soldier he escapes with the help of Juan Escopeta, a gunman for hire. Together they travel through a country absorbed in civil war in search of Gapo’s older and only brother: a famed revolutionary outlaw.
The movie is more or less a retelling of the first few episodes of the series that is not much more than a slightly padded director's cut. You do learn some interesting details such as where Yugi's dad is, a look at the flame haze who was in the city before Shana, and even a couple of new powers for the Reiji Maigo. The story is certainly fleshed out quite a bit more and the final 15 minutes of the film comprise a surprisingly powerful conclusion (worth the price of admission on its own), but I would have liked a more original story rather then a highly polished version of one that I've already enjoyed. In the end, spectacular visuals, great new music, and well thought out additions to the core story leave you feeling glad to have seen the film. On the other hand, the fact that anything new that was added obviously doesn't change the events that come later in the series means that established fans will likely leave the experience less than satisfied.
Dowager steps out to purchase a toy for her son. Woody Woodpecker, peering around the corner of the building, pictures a luxurious future in a home as she would have to offer, so he quickly steps out and imitates the walking toy.
After polluting their own planet beyond repair, a race of evil aliens target earth as their next home. Now it is up to a lone outcast and his robotic spacecraft, Baldios, to defend earth. But, first he must convince the distrusting human population of the impending danger.
A Parade for three managers and four performers. Sketchy drawings in a neatly arranged palette, involving quotes from the French composer Erik Satie, set to the music of Parade performed by the Dutch Willem Breuker Kollektief.
When world-famous air racer Dusty learns that his engine is damaged and he may never race again, he must shift gears and is launched into the world of aerial firefighting. Dusty joins forces with veteran fire and rescue helicopter Blade Ranger and his team, a bunch of all-terrain vehicles known as The Smokejumpers. Together, the fearless team battles a massive wildfire, and Dusty learns what it takes to become a true hero.
With harpsichord music in the background, a dandy, seated at a table, plucks a quill pen from a ceiling full of them above him, dips it in ink, thinks, then draws a straight line down the page in front of him, out of which sprout six more quill pens, each held by a hand. The calligrapher moves all the hands and pens in unison, drawing an elaborate feathered wing, which comes to live, peeling off the page, and, now a quill pen, slips in to his hand. He tucks it behind his left ear.