An immigrant family in California’s Central Valley faces the loss of their land and way of life. One of the few remaining ranchers in the Bay Area watches urban sprawl creep in from every direction. Cowboys work in the shadow of the historic Hearst Castle. One of the largest Black landowners in the state discovers Native American artifacts on his ranch. You Just Can’t See Them From the Road is a documentary portrait of modern West Coast ranchers—invisible to and misunderstood by the rapidly modernizing society they sustain.
Frank, sheriff of Cumberland City, looks for his brother, Johnny, who is member of the gang of a Mexican bandit nicknamed "Lefty" in order to take him to see their father before he dies.
Frank Magee teams up with Sandy, his father's ex-partner, and falls in love with June Rance, daughter of his father's murderer. Sánchez and Black Pete learn from Sandy the whereabouts of his mine, kill Rance, and attempt to file a claim on the mine. When Frank tries to overtake them, he is too late but finds that June has filed ahead of the Mexicans.
Two ex-friends are drawn together by fate and return to the place that tore them apart years prior. Seer is a short film that draws on the ancient Scottish practice of ‘seeing,’ where visions of the future are revealed through a Seer’s Stone—a mysterious stone pierced by nature.
A contract killer, specializing in honor killings, fails to eliminate a magician, who is the lover of an MLA's daughter. The killer faces shame and pressure from the MLA for his failure. Soon after, the magician is captured. What happens next?
After a bank job gone wrong, infamous outlaws The Lily and The Scorpion are on the run, but as day turns into night the partners’ trust in each other begins to fray.
The Foster gang was a group of criminals who operated in South Africa, around Johannesburg and the Rand, between the months of July and September 1914, committing various acts of robbery and murder.
An impending gunfight moves from a conventional confrontation to a confrontation with audience expectation as camera action predominates. A film in which the less you see of what you expect - the more there is exposed.
Parolee Bart Tullison becomes foreman of Anita Stillwell's ranch near the Nevada border. While Anita considers Bart a coward because he will not pursue cattle rustlers across the border, Jefferson Bradshaw learns of Bart's past and resolves to use it to end the growing affection between Anita and Bart.
Penny arrives in the West by aeroplane. She is considered a suspicious character and thrown into jail. Kurt Walters, a ranch foreman and deputy sheriff, discovers that she is the same girl that his friend, Jo Gary, met in Chicago. Gary fell in love with her, but she confessed she was a thief. Since Penny claims she wants to reform, Walters releases her and sends her to live with Mrs. Kingdon. In spite of her teasing and taunts (or perhaps because of them), Walters finds himself falling in love with Penny.