Two eccentric scientists struggle to create eternal youth in a world they call “blind to the tragedy of old age.” As they battle their own aging and suffer the losses of loved ones, their scientific journeys ultimately become personal.
Summer begins and Fernando feels like hitting the road to meet a few ex-girlfriends. After spending some time with them, he feels the urge to become a father again. Back in Madrid, he tries to see how this could be done…
Two women fight to hold the manufacturers accountable for the Agent Orange catastrophe. Incriminating documents disappear. Activists are threatened. A helicopter technician secretly films the contamination exposing a massive cover-up.
In 1983 World Class Championship Wrestling and its franchise stars, the Von Erich brothers, were known around the world. A small Dallas based promotion running out of a shack of a venue, the Sportatorium, World Class was one of the most syndicated television programs in America, making the Von Erichs household names. Run by legendary wrestler Fritz Von Erich, a.k.a. Jack Adkinsson, World Class made his oldest sons, Kevin, David and Kerry, three of hte biggest stars in the world of wrestling. Little did anyone know that just as the Von Erichs and World Class were reaching worldwide stardom they would begin a downfall that would cast a full eclipse on their meteoric rise to fame. Directed by Brian Harrison who, as a ten year old in 1983, watched on television as wrestling's world of staged combat between good and evil took a sharp turn into a surreal and tragic reality.
The last year or so of the war in the Pacific during WWII. It picks up at the point where the inevitability of an American victory seems certain--it's only a matter of time. It then discusses the ferocity of the Japanese defense, the American bombing campaign, the kamikaze, the Emperor and his resistance to surrender and the American feelings towards a negotiated peace.
The political murder of a Moscow lawyer and the cancellation of 259 pending American adoptions of Russian orphans are seemingly disparate events found to have a deep and insidious connection. Connecting the dots from Russia’s warehousing of abandoned and special needs children to the cross-borders dealings of a billionaire investment banker to one American family’s tragedy, the film explores how Russian political corruption is linked to a single adopted child, whose accidental death becomes the declared reason behind Putin’s Russian Adoption Ban.
The history of Italian zombie cinema, beginning with the breakout worldwide influence and success of George Romero's Night of the Living Dead and continuing through to Lucio Fulci's trend-setting Zombie Flesh-Eaters (Zombi 2) and its many imitators.
Eduardo Coutinho was filming a movie with the same name in the Northeast of Brazil, in 1964, when there came the military coup. He had to interrupt the project, and came back to it in 1981, looking for the same places and people, showing what had ocurred since then, and trying to gather a family whose patriarch, a political leader fighting for rights of country people, had been murdered.