In Miraflores, Cuba, the growing romance between Mario, a factory worker, and Yolanda, a schoolteacher, throws into relief the differences in their perspectives and values in Revolutionary Cuba.
Hull, England, 1970. In a run-down commune in a tough port city, a group of social misfits - mostly working class, mostly self-educated - adopted new identities and began making simple street theater under the name COUM Transmissions. Their playful performances gradually gave way to work that dealt openly with sex, pornography, and violence. COUM lived on the edges of society, surviving on meager resources, finding fellowship with others marginalized by the mainstream. At the core of the group were two artists, Genesis P-Orridge and Cosey Fanni Tutti. As their work evolved, Cosey embarked on a career modeling for pornographic magazines, which she claimed for herself as a conceptual artwork, using it to forge a specific position in relationship to 1970s feminism. In performances, Genesis pushed himself to extremes, testing the limits of the human body.
With a sense of humour, this documentary questions the condition of women from the angle of the image and perception of their body, and covers the new taboos and aesthetic diktats concerning their genitals in the era of the sexual revolution and contemporary feminism.
A celebration of music and rallying cry that takes viewers on a journey across generations, eras, and genres, anchored by a female chorus of musical icons, whose songs, voices, and activism provided inspiration for the past and current fight for equality for all.
An intriguing look at the agonies of the Sonoran Desert in Arizona, northern Mexico and Southern California forthrightly reveals the animals' and vegetation's dreadful task of accommodating themselves to their homeland. Stunningly photographed by Keith Brust, producer-writer Sean Morris and their companions --- with Barry Nye lending his customary editing assurance --- provide a handsome study of deprivation and survival and an illuminating look at how the other half lives and dies.
30 minute documentary about the making of the film Help! with Richard Lester, the cast and crew. Includes exclusive behind the scenes footage of The Beatles on set.
A Russian-backed conspiracy film produced by Oliver Stone, framing the Euromaidan protests and the ouster of Viktor Yanukovych as a Western-engineered coup.
The film follows the career of detective inspector Marianne Atzeroth-Freier through the Hamburg police force of the 80s and 90s. At the end of the 70s, Marianne is 30 years old and a single parent; she becomes one of Hamburg's first female police officers. Marianne is one of the first women ever to be promoted to the Hamburg homicide squad. The opposing forces in this male-dominated world are strong, she is not really taken seriously and is even bullied along the way, until she comes to the attention of the furrier Lutz R.. Against the considerable resistance of her superior, Marianne investigates in her spare time and makes a significant contribution to solving the case of the "acid barrel murderer".
American documentarian James Longley delivers a sweeping, profoundly compassionate group portrait of Afghan students and teachers still weathering national turbulence.
A live-action short, using many avant-garde film techniques, that looks at American car culture in the late 1960s. The main section deals with the many trials and obstacles a teenager must face on the path to being able to drive. Surviving the driver's education class is only the first step, as the teenager must then pass his driving test, and then finally get permission to borrow the family car.
This short film celebrates the hard work, tenacity, and ingenuity of inventors. Highlighted are some seemingly small inventions that have become part of daily life.
As stated in the opening titles and at the end Freakstars 3000 is supposed to be a commentary on the problems of the non-disabled people. The more I was shocked about how the disabled were depicted in this film the more I started to realize that in every non-disabled TV counterpart of this show (German TV shows like "Popstars" or "Friedmann" or the home shopping channels) its mentally "non-handicapped" participants are treated in a completely identical way: The total prostitution of the mind in front a huge TV audience at the expense of one's most important gifts one should hang on to: dignity. On the other hand one could completely understand people who are furious about "exploiting" these handicapped persons. But that's what Schlingensief's works are all about: shock people and don't care about those who cannot or will not try to get the message (if there is one).
An experimental four-part 2002 Franco-Chilean digital video series written and directed by Raúl Ruiz. The first part won a FIPRESCI Award at the Montreal World Film Festival in 2002 "for the director's personal exploration into his homeland, using DV in a rigorous yet playful manner".
Nicu, a homeless street kid, is adopted by the notorious 'Bruce Lee' and brought up in the subterranean tunnels of Bucharest. As he grows up, he begins to realise that this 'King of the Underworld' may not be the father that he needs. Filmed over five years by photographer Joost Vandebrug, the film is a real life Oliver Twist story about growing up, and finding a family.