The Latvian director’s graduation film from Moscow Film School does not deliver images loyal to the regime but is a testimony to her journalistic background. When the independence struggle is to be suppressed by military power, the people in Riga erect barricades. Laila Pakalniņa captured the dramatic events whose topicality is frightening.
Invited by the goEast Film Festival in Wiesbaden (Germany), Radu Jude created a self-portrait. A confinement diary made of his thoughts, his relationship to cinema, his inspirations or the streets, objects and people that surround him.
Su Friedrich's personal essay charting the destruction of Williamsburg, Brooklyn. After living in the neighborhood for 20 years, the filmmaker was one of many who were forced out after the city passed a rezoning plan allowing developers to build luxury condos where there were once thriving industries, working-class families, and artists. Filmed over many years, it is a scathing portrait of one neighborhood's demolition and transformation.
Denis Urubko is one of the strongest Himalayan climbers of all time: he has climbed all 8000 meter peaks without supplemental oxygen, establishing new alpine style routes on Broad Peak, Manaslu, Cho Oyu and Lhotse. He also made the first winter ascents of Makalu and Gasherbrum II. Add to his legend, the incredible rescue of Elisabeth Revol in distress on the Nanga Parbat in January 2018, and that of about eight other climbers. Urubko's story is simply unique, tells us about him and his journey to becoming the best in very high mountains. Denis Urubko is not just an exceptional climber, he is a true legend whose feats of arms will remain etched in the history of mountaineering.
Emerging from rural Ireland, Edna O’Brien broke multiple taboos with her sexually provocative literature and equally adventurous love life. Here, she opens up about her past with additional perspectives offered by Gabriel Byrne, Walter Mosely, and others.
A 3-D presentation of U2's global "Vertigo" tour. Shot at seven different shows, this production employs the greatest number of 3-D cameras ever used for a single project.
The Documentary centers around Zappa at home, and on Tour. The amazing thing is that Zappa allowed a guy with a camera to film the band at the Fillmore West w/ Flo and Eddie. There are times when the camera man seems to be on the stage. The performance is recorded from only one camera angle. There are only 4-5 songs presented here.....and Zappa referring to the Fillmore West as the ‘Psychedelic Dungeon’ is priceless………..It is a great piece of history.
A documentary produced for Viva Pedro: The Almodóvar Collection that deconstructs his career through interviews with many of his frequent collaborators.
Mondo Rocco is a collection of short films weaved together as it was seen in the Park Theater in Los Angeles in 1969/1970. Charming in their innocence, Rocco's films captured important moments in gay history and are an invaluable resource.
At the Covenant House, located on the outskirts of the French Quarter in New Orleans, Louisiana, the doors never close, and there is always room for one more. On any given day, a constant stream of young people carrying everything they own in plastic garbage bags fills the courtyard. The prospective residents are just teenagers, but have already been labeled drug addicts, schizophrenics, criminals and outcasts. As one staff member puts it, “the most damaged population of youth that exists in society today”. Filming over the course of a full year, brothers Brent and Craig Renaud tell the raw and emotional stories of the incredible kids who seek shelter at the Covenant House, and the staff struggling to work miracles everyday on their behalf.
A tribute to the spirit and humanity of people who are physically different from the average: very tall and very large men and women, a bearded woman and her long-time husband, Siamese twins joined at the midsection, and several little people including actor Billy Barty. We meet some at Gibsonton, Florida, where carnival folk winter. They talk about their lives and accomplishments. The camera also goes on the road to visit a grandfather with a distinctive face, a legless mechanic from Kentucky on a second honeymoon in LA, a marathon runner and motivational speaker who has no feet, a karate student with partial limbs, and an armless, down-to-earth mom in Texas.
This excellent feature-length documentary - the story of the imperialist colonization of Africa - is a film about death. Its most shocking sequences derive from the captured French film archives in Algeria containing - unbelievably - masses of French-shot documentary footage of their tortures, massacres and executions of Algerians. The real death of children, passers-by, resistance fighters, one after the other, becomes unbearable. Rather than be blatant propaganda, the film convinces entirely by its visual evidence, constituting an object lesson for revolutionary cinema.