Some doctors say he won't last another day but still he keeps making films. Sluizer Speaks tells the story of George Sluizer, director of such films as The Vanishing and Dark Blood who fully dedicated his life to cinema. Where did his passion for film lead him?
Characterized as a "fictionalized documentary" by the producer, this bizarre experimental drama is the story of three days in the life of a highly charged and successful Long Island insurance salesman who takes a filmmaker to Las Vegas. Though the protagonists really are a salesman and a director, the line between reality and fiction is hopelessly blurred as the story unfolds. . . The brash, loud and supremely confidant salesman shmoozes his clients in a way that is a game for him. He uses his powers of persuasion to acquire more and more sales. He and his cronies drink and feast over their success before embarking on the Las Vegas convention. The company even goes so far as to provide women for the married men, rewarding their career successes with amoral excesses in this film that concludes with a dream sequence on a beach.
Wedding gift from Maya Deren to Geoffrey Holder; Stan Brakhage and Larry Jordan made film of wedding at Maya Deren’s invitation, told to be “as free as possible”
Both a visit to a very peculiar exhibition at the Bundeswehr Military History Museum in Dresden, Germany, as well as an unprejudiced look at the artistic depiction of violence throughout history and the ways in which that depiction has been gendered.
LIFE AFTER is a gripping investigative documentary that exposes the tangled web of moral dilemmas and profit motives surrounding assisted dying. Disabled filmmaker Reid Davenport uncovers shocking abuses of power while amplifying the voices of the disability community fighting for justice and dignity in an unfolding matter of life and death. In 1983, a disabled Californian woman named Elizabeth Bouvia sought the “right to die,” igniting a national debate about autonomy and the value of disabled lives. After years of courtroom battles, Bouvia vanished from public view. Sundance-winner Davenport embarks on a personal investigation to find out what really happened to Bouvia and reveal why her story is disturbingly relevant today.
Written, directed, and produced by David Walker, MACKED, HAMMERED, SLAUGHTERED, & SHAFTED is an insightful examination of the blaxploitation film movement of the 1970s. Featuring interviews with key actors and filmmakers, the documentary explores the origins of blaxploitation, and the controversial history of Hollywood's most misunderstood genre.
From Adolphe Sax’s workshop to the legendary times of jazz and bebop, conquering the classical music stages, forbidden by Nazis and Communists and banned by the Pope: in its 170-year history the saxophone has always been the most seductive as well as the most feared musical instrument. Award-winning Canadian filmmaker Larry Weinstein illuminates and mythologizes the story of the saxophone, its most legendary players and its allegedly longstanding curse about saxophonists falling prey to the instrument’s dark powers.
A look back on the life of Nobel Peace Prize winner, Shimon Peres, who served as prime minister of Israel twice and negotiated the 1994 Israel-Jordan peace treaty.
To mark the 25th anniversary since the first transmission of Blackadder in 1983, the iconic cast of the much-loved sitcom appear together in a documentary for the first time. The show includes an exclusive in-depth interview with Edmund Blackadder himself, Rowan Atkinson - the first time he has agreed to be interviewed about his experience making the show.
Legendary filmmaker Les Blank's toe-tapping film treats us to a portrait of a musical Louisiana couple committed to celebrating and preserving Cajun culture.
This TV series follows the life of Andrija Hebrang (1899-1949), a Croatian and Yugoslav communist politician. A member of the Communist Party of Yugoslavia until his dismissal, he served as the 4th Secretary of the Central Committee of the Communist Party of Croatia.
Another transport arrives at the Auschwitz-Birkenau concentration camp. Former prisoner no. 181970, a member of the Sonderkommando, recounts years later how the gassing and burning of corpses took place. The film ends with the song "El Malei Rachamin" for the souls of the dead.