The Sacred Triangle enlightens us on how one of the most influential pop stars of the previous century, Ziggy Stardust, was born. This is the same question Velvet Goldmine, a great film by Todd Haynes, once tried to answer. Progressing like a detective story, The Sacred Triangle investigates the influence Lou Reed and Iggy Pop had to David Bowie’s (then on the verge of a breakthrough) music and stage persona. The section on the Velvet Underground alone is enough of a reason to watch this movie.
Ornette Coleman is always asked, “what is Harmolodics?” Harmolodics is the term he coined to describe his music and his philosophy of life. He decided to do a short film about Harmolodics. A few artists were in enlisted, including Lou Reed, Thurston Moore, Yoko Ono and dancer Wunmi Olaiya. The film only went out to journalists as part of the Tone Dialing press kit. It was released publicly in honor of the occasion of Ornette’s 90th birthday March 9, 2020.
Returning to France after a long exile, pianist Mathias Vogler reunites with his mentor, Elena, to prepare a concert. In a park, an encounter with a child who looks just like him will lead him to Claude, the woman he once loved.
Lou Reed — once the androgynous rock poet of the Velvet Underground, then a godfather of punk, now a weathered icon of courage and adventurousness in American music — in two astonishing live concerts, one from New York's fabled Bottom Line in 1983, one from the 2004 Benicassim Festival in Spain. With selections deftly mixed and matched for maximum effect, these two concerts allow us to time-travel between key phases of an amazing career, as Reed reinvents classic songs from his Velvets and early solo period and presents adventurous new work — always with the unmistakable droning, dissonance, and literary intelligence that are part and parcel of the Lou Reed approach to rock and roll, and to his adventures in post-classical minimalism and even free jazz, all key to his unique sensibility.
This newly unearthed film, which Warhol shot during a concert at the Boston Tea Party, features a variety of filmmaking techniques. Sudden in-and-out zooms, sweeping panning shots, in-camera edits that create single frame images and bursts of light like paparazzi flash bulbs going off mirror the kinesthetic experience of the Exploding Plastic Inevitable, with its strobe lights, whip dancers, colorful slide shows, multi-screen projections, liberal use of amphetamines, and overpowering sound. It is a significant find indeed for fans of the Velvets, being one of only two known films with synchronous sound of the band performing live, and this the only one in color.
Buster Moon dreams up a star-studded spectacle set to Michael Jackson's "Thriller" in this animated short featuring characters from the hit "Sing" films.
Matt, a young glaciologist, soars across the vast, silent, icebound immensities of the South Pole as he recalls his love affair with Lisa. They meet at a mobbed rock concert in a vast music hall - London's Brixton Academy. They are in bed at night's end. Together, over a period of several months, they pursue a mutual sexual passion whose inevitable stages unfold in counterpoint to nine live-concert songs.
Hayri and Orhan are two music producers head over heels in debt. In an attempt to find the next big thing to turn the business around, they contact Ferhat, a gastarbeiter in Germany, and desperately bring him to Istanbul to sign him. As they are struggling to find the necessary funds to promote Ferhat's debut album, a mysterious rich woman named Firuze shows up and starts supporting them. The future now seems bright, but things are not always what they seem...
Never-before-seen footage and intimate interviews celebrate the life and legacy of iconic Mexican American singer Selena Quintanilla and her family band.
An exploration of the seminal and transformative 18 months that one of music’s most famous couples — John Lennon and Yoko Ono — spent living in Greenwich Village, New York City, in the early 1970s.
David Sanborn Band : David Sanborn, Marcus Miller, Ricky Peterson, David Gilmore, Gene Lake, Don Alias // Special Guests : Lou Reed, Boz Scaggs, Joan Osborne, Naughty By Nature, Dr. John, Isaac Hayes
In 1973, 15-year-old William Miller's unabashed love of music and aspiration to become a rock journalist lands him an assignment from Rolling Stone magazine to interview and tour with the up-and-coming band, Stillwater.
Giacomo Puccini's immortal opera, in a high budget feature-film version directed by Academy Award nominee Robert Dornhelm, stars opera's 'Golden Couple', Rolando Villazon and Anna Netrebko as the protagonists, Rodolfo and Mimi. The chemistry between them is electric, unrivalled in the theatre today. Russian soprano Anna Netrebko is not only beautiful but has a marvelous voice and technique; Mexican tenor Rolando Villazon, has a wonderful voice and an incredible charisma. The director not only wanted to remain steadfastly faithful to Puccini's design but also document two of the leading singers of the modern age rather than embarking on a 'trendy' contemporary re-creation.
A new adventure dawns for Zed and Addison when their summer road trip takes an unexpected detour, landing them in the middle of yet another monster rivalry: Daywalkers vs. Vampires. Tensions flare when Zed and Addison find themselves acting as camp counselors between the two opposing supernatural factions. With the help of Eliza and Willa, they must convince sworn enemies Nova and Victor to try to unite their warring worlds before an even greater threat endangers them all.
A distilled, up-to-the-minute portrait of our agitated nation, its politics, its economics, its delusions and its dreams. Laurie Anderson's tone is less outraged than elegiac, mourning for lives lost, ideals misplaced. The music is dramatically stripped down to a handful of players, centered around Anderson's haunting violin and voice, frequent Bill Frisell band-mate Eyvind Kang's viola and Peter Scherer's keyboards.