Unusually elaborate for a PRC film, Minstrel Man is a lively musical drama built around the talents of veteran vaudevillian Benny Fields. The star is cast as Dixie Boy Johnson, who rises from the ranks of minstrel shows to become a top Broadway attraction. On the opening night of his greatest stage triumph, Dixie Boy's wife dies in childbirth. Profoundly shaken, he walks out of the show, leaving the baby to be raised by his showbiz pals Mae and Lasses White (Gladys George, Roscoe Karns). The kid grows up to be an attractive young woman named Caroline (Judy Clark), who follows in her dad's footsteps by billing herself as-that's right-Dixie Girl Johnson. This leads to a tearful reunion between Caroline and the father she'd long assumed to be dead. If Minstrel Man seems at times to be a dress rehearsal for Columbia's The Jolson Story (1946), it shouldn't surprising: the PRC film was directed by Joseph H. Lewis, who went on to helm Jolson Story's musical highlights.
This is the first Dream Live for the third season of TeniMyu and is the eleventh Dream Live overall. It featured casts from St. Rudolph, Fudomine and Yamabuki, as well as the eighth-generation Seigaku cast.
Renée Fleming makes her highly anticipated return to the Met in the world-premiere production of Pulitzer Prize–winning composer Kevin Puts’s The Hours, adapted from Michael Cunningham’s acclaimed novel. Inspired by Virginia Woolf’s Mrs. Dalloway and made a household name by the Oscar-winning 2002 film version starring Meryl Streep, Julianne Moore, and Nicole Kidman, the powerful story follows three women from different eras who each grapple with their inner demons and their roles in society. The exciting premiere radiates with star power, with Kelli O’Hara and Joyce DiDonato joining Fleming as the opera’s trio of heroines. Phelim McDermott directs this compelling drama, with Met Music Director Yannick Nézet-Séguin on the podium to conduct Puts’s poignant and powerful score.
Sonja, a little ballerina at the Grand Theater, is secretly in love with the handsome tenor Luis Mariano. One night, she hurts her feet while dancing and under the influence of a sedative falls asleep and starts dreaming. She is Sonja Ilyanova now, a young gypsy dancer who dreams of performing before Alexei, the son of the Czar.
Bonny Kane and 'Skid' Johnson are vaudeville performers in the 1920s. The two of them suffer marital difficulties when Skid gets an offer to appear on Broadway while Bonny gets left behind on the road. Things get worse with Skid's increasing drinking problem and the fact that the press has reported him to be spending a lot of time with his pretty co-star.
Soprano Anna Netrebko appears in her highly anticipated Met role debut as Leonora, the tortured heroine who sacrifices her own life for the love of the Gypsy troubadour. Dmitri Hvorostovsky sings Count di Luna, Yonghoon Lee is Manrico in his Met role debut as the title character, Dolora Zajick sings her signature role of the gypsy Azucena, and Štefan Kocán is Ferrando. Marco Armiliato conducts Sir David McVicar’s Goya-inspired production.
At the zoo, the animals have all gone to play baseball. Animals fill the stands as they watch the antics that can only come about from exotic animals who play baseball.
A documentary chronicling The Tragically Hip during the emotional lead up through to the epic last show of the iconic Canadian band's now legendary 2016 tour.
A quasi-musical-comedy which descends into horror, set in the early sixties in a college on the outskirts of West Philadelphia. For 15 years, the graduation ball has been the preserve of the Foons - those teenagers who are immersed in weird notions of fun and who describe themselves as "cool". As they prepare for the graduation ball, it is decided to open up invitations to the nerd underdogs. The eternal rivalry between the cool kids and the nerds is played out with colourful costumes and kooky hairdos.
Radio singing star, Eve Porter, wants a vacation during her show's summer hiatus, but her manager and press have booked her for additional work. She refuses and goes to Las Vegas. When she finds them there hunting her down, she manages to escape them by hiding in the car of a newspaper reporter. She comes out of hiding while he is driving, but everything she says is misconstrued, making him believe that she is a recently-escaped convict, "The Singing Widow". He plans to use this as a story to get back into the good graces of his editor. Through some comic mishaps, he learns who she really is. He then decides to take her back to Hollywood to collect the reward for her return. But now love has entered the mix, and must be resolved with his job and her engagement to another.
Meet Pyarelal, a simple-minded, naive young man, orphaned at birth, living with a Muslim landlady, Fatima, who treats him like her son. When the police arrest Pyarelal on the charge of murder, no one really believes that this harmless man could harm anyone, leave alone kill. Their belief is shattered when Pyarelal openly admits in Court that he has indeed committed this crime, and demands capital punishment for it.
Tananam Tananam (Kannada: ತನನಂ ತನನಂ) is a 2006 Indian Kannada romantic musical drama film directed and written by Kavitha Lankesh. The film introduces Shaam, a Tamil actor, to Kannada cinema along with Ramya and Rakshita teaming up together for the first time, in the lead roles. The film was produced by N. M. Suresh and based on a Tamil short story written by Kalki. The film released on 24 November 2006. The film won two Filmfare Awards in Best Actress and Best Lyricist categories. Noted violinist L. Subramaniam was roped in to play violin bits in the film.
Jamie, a young American exchange student in rural France, finds herself in the middle of a love triangle as she and the host family's wayward daughter fall for the same boy. As dangerous lies and dark family secrets surface, Jamie becomes the unsuspecting victim of a game of sexual intrigue.
Jorge Bueno and Pedro Malo are best friends who consider giving up their womanizing ways when they each fall in love. As fate would have it, Pedro Malo unexpectedly marries Jorge Bueno's girlfriend, and the conflict between the former buddies begins.
In Rome's notorious gay club, the Alibi, men date, love and quarrel. Meanwhile, on stage, the classic drama of Salomé is played but with surprising variations, In the end, a clown goes out through the city's streets saying a monologue that explains it all, while satirizing the bourgeoisie.
The career of W. S. Gilbert, a barrister turned comic librettist, and Arthur Sullivan, a composer turned against his will to light music, who together wrote fifteen comic operas between 1871 and 1896, to great public acclaim.