An excellent performance of this delightful opera. The principals are superb, especially the sisters. Bruscantini as Don Alfonso is past his prime, but he knows and understands the role inside out, so one does not even notice his vocal limitations. Araiza is in top form as Ferrando, and Morris makes virile Guglielmo. The only disappointment is Battle as Despina. Unlike her partners, she does not have feel for the Mozart ensemble, and her vocal mannerisms are totally unbecoming. How the producers allowed that to happen is a mystery. Muti's conducting is terrific, much better than on his La Scala video, where he is uninvolved.
Influential animator, Hungarian immigrant and lifelong Frank Zappa enthusiast Gábor Csupó recounts his chance meeting and eventual friendship with the musician himself.
Young-hee visits a peaceful seaside village after losing husband and son meets Jun-woo who also comes to the village for 6-weeks rest after going through retirement and wife’s affair. One late night, Jun-woo who’s suffering insomnia sleep walks into sea, but Young-hee saves him. Young-hee notices Jun-woo’s broken heart and tries to help him by taking care of his summer cottage. Despite the different background, they slowly get closer and classic music becomes an instrument connecting hearts of these two lonely and hurt souls.
This is an unreleased cartoon that eventually went on to have most of its animation recycled by Bosko's Dizzy Date. Honey is trying to teach the violin to Wilbur, the one who hates music. Honey calls Bosko over. Bosko and Honey sing, dance, and play music while Wilbur continues to express its disdain.
This is Poe and Král's first effort, shot on small-gauge stock, before their more well-known endeavor The Blank Generation (1976) came to be. A "DIY" portrait of the New York music scene, the film is a patchwork of footage of numerous rock acts performing live, at venues like Madison Square Garden, Radio City Music Hall, the dive bars of Greenwich Village and, of course, CBGB.
Following an argument with his co-star during the rehearsals for a new stage show, famous singer Richard King walks out of the theatre, still wearing his ragged stage costume. Mistaken for a beggar, he’s taken in by a pair of street entertainers and joins their act incognito.
In 1990, Eric Clapton performed 18 nights at one of his favourite venues - the famous Royal Albert Hall in London. During the 18 run of shows, Clapton performed with three different line-ups: a rock band, a blues band, and an orchestra. Eric returned to the same venue in 1991 with the same three line-ups and played a further 24 shows. The huge undertaking of rehearsing for performances of three distinctly different genres was made even more challenging by the line-up for the rock shows varying from 4, 9 or 13 band members.
Press agent Jimmy Gates gets an idea while watching a New York parade, for a returned war hero Sergeant Buzz McAllister, with his chief client, singer Judy Ames; Dona Drake, leader of an all-girl orchestra; his photographer Foggy, and his secretary Myrt. Jimmy, thinking Judy needs publicity in order to get a singing job on a radio program, thinks that a romance between her and the war hero would be just the ticket.
The stenotypist Margit is supposed to take 3,000 Marks to the bank for her boss, Mr. Plaumann, but she lazes away the time window-shopping, and eventually stands before a closed door. She follows Plaumann to Dresden, where he, believing the money is deposited in a bank as a down payment, wants to purchase a newfangled remote control from the inventor Lambach. Since Plaumann’s car breaks down on the road, Margit arrives before him and rests in the seemingly empty hotel room which later turns out to be Lambach’s. Meanwhile, Lambach himself is being spied on by the jealous cousin of his fiancée, who can’t wait to catch him in the act…
As Bob Dylan turns 70, a true portrait of the reclusive "voice of the generation" is revealed through exclusive interviews, and never-before-seen photos and films of Dylan's 50-year career.
The Flaming Lips’ U.F.O.s At The Zoo: The Legendary Concert In Oklahoma City captures the over-the-top spectacle of the band’s 2006 homecoming performance. Filmed at the Zoo Amphitheater in front of a capacity crowd of manic fans, U.F.O.s At The Zoo delivers the sonic and visual sensory overload that is The Flaming Lips live experience.