With the founding of Stax Records, the white siblings Jim Stewart and Estelle Axton created a label during the period of racial segregation that caused a revolution in the music scene with artists such as Otis Redding, Wilson Pickett, Sam & Dave and Isaac Hayes. Their commercial success was closely linked to the civil rights movement of the 1960s and 1970s.
Everything Will Change is a feature-length documentary concert film of The Postal Service’s performance at the Greek Theater in Berkeley, CA during their 2013 reunion tour. A collaboration between Benjamin Gibbard (of Death Cab for Cutie) and Jimmy Tamborello (from Dntel), with Rilo Kiley’s Jenny Lewis, The Postal Service released Give Up, their one and only album, in 2003. That record went on to sell over a million copies and most of the band’s fans never had the chance to see them perform live. In celebration of the 10-year anniversary of Give Up, the band reunited to tour the world. With intimate interviews and backstage footage of the band, Everything Will Change captures one of the nights when everything did change.
This retrospective of Elvis Presley's life and career uses excerpts from his performances and interviews to chronicle how the swivel-hipped young man from Tupelo, Miss., rose from poverty to become an American icon. The documentary also includes archival footage of Elvis on "The Ed Sullivan Show" and other TV appearances, clips from his Army days and film of his wedding to paint an extensive portrait of the King's public and personal lives.
"The Jersey Sound" is a love letter to New Jersey's diverse music scene. It captures its rich history through untold stories and intimate interviews while paying homage to legendary icons who have called Jersey home. It's an attitude.
The film is based on the Mahatma Gandhi University Youth Festival which takes place every year, where different colleges under the university participate for winning the champion trophy.
DVD containing two concerts from the British Prog band, captured in 1976 and 1977. Camel Live in Concert at the Hammersmith Odeon, April 14, 1976: This long-lost recording was finally recovered in 2006. With the original lineup of Andrew Latimer, Doug Ferguson, the late Peter Bardens and Andy Ward, this recording was made during the promotion of Camel's 1976 album Moonmadness.
Camel Live In Concert at the Hippodrome Golders Green, London, 22 September, 1977. Featuring Andrew Latimer, Peter Bardens, Andy Ward, Richard Sinclair and Mel Collins.
Live at Rockpalast in Markthalle, Hamburg, Germany on the 4th of May, 1984. Setlist: 1) Hand In Glove 2) Heaven Knows I'm Miserable Now 3) Girl Afraid 4) This Charming Man 5) Pretty Girls Make Graves 6) Still Ill 7) Barbarism Begins at Home 8) This Night Has Opened My Eyes 9) Miserable Lie 10) You've Got Everything Now 11) Handsome Devil 12) What Difference Does It Make 13) These Things Take Time 14) This Charming Man II 15) Hand In Glove II 16) Barbarism Begins at Home II
Winter Break was recorded at the Bayfront Park Amphitheater in Miami, Florida on January 17, 1999, for a crowd of 10,000 people. During the show, Twain received special guests Elton John, the Backstreet Boys and Leahy onstage. The special features scenes of Twain visiting her hometown Timmins, Ontario in between songs. It aired on March 3, 1999 on CBS, attracting ratings of 10.3 points, about 18.7 million viewers.
Méphistophélès, less an intellectual "principle of negation" than a devilishly attractive magician, draws his attention to Marguerite - and Faust is delighted. A deal is quickly struck: the devil serves Faust on earth, and after Faust's death it is to be the other way around. Marguerite is also not unimpressed by what Méphistophélès has to offer: material luxury and sensual pleasure, often musically illustrated by Gounod with a waltz. But the relationship between Faust and Marguerite remains an episode, as Faust is drawn to new attractions, while Marguerite remains pregnant, only to see her unfaithful lover kill her brother.
Yannick Nézet-Séguin conducts Grammy Award–winning jazz musician and composer Terence Blanchard’s adaptation of Charles M. Blow’s moving memoir, which The New York Times praised after its 2019 world premiere at Opera Theatre of Saint Louis as “bold and affecting” and “subtly powerful.” The first opera by a Black composer presented on the Met stage and featuring a libretto by filmmaker Kasi Lemmons, the opera tells a poignant and profound story about a young man’s journey to overcome a life of trauma and hardship. James Robinson and Camille A. Brown—two of the creators of the Met’s sensational recent production of Porgy and Bess—co-direct this new staging, which appears in cinemas on October 23. Baritone Will Liverman, one of opera’s most exciting young artists, stars as Charles, alongside sopranos Angel Blue as Destiny/Loneliness/Greta and Latonia Moore as Billie.
Follows a day in the life of two men living at either end of the music game. A successful rapper, A-Maze, is dealing with the pitfalls and trappings of his success and facing new challenges in the music business to get a check while the other, Young Eastie, is a young man struggling in a harsh world that is threatening to destroy him.