THE BLOOD OF MY BROTHER goes behind the scenes of one Iraqi family's struggle to survive amidst the carnage of the growing Shia insurgency. Nineteen-year-old Ibrahim dreams of revenge when his brother is shot and killed by an American patrol. With scenes of fighting and death on the streets of Baghdad, this is the closest most viewers will ever come to being in Iraq; kneeling in prayer amidst a thousand Muslim worshipers, feeling the roar of low-flying Apaches, riding atop a sixty-ton tank, driving with masked resistance fighters to attack American positions, fleeing the threat of an overwhelming response, the blood in the street, a tank on fire, or the cold, distant stare of a dead Iraqi fighter. Written by Andrew Berends.
He is Khagani Aliyev, a resident of Saricali village of Aghdam. On July 23, 1993, Khagani Aliyev, who heard about another Armenian attack on Aghdam, went home to take his parents who had not left the village to a temporary safe area...
The story of the film is about the first months of the imposed war. At a time when families in different cities of Khuzestan were forced to leave their homes and all their attachments and took refuge in other cities to save their lives. But in the meantime, the mother does not intend to leave her home. Meanwhile, the older son and the teenager of the family are angry with this decision of the mother. They constantly complain to their mother that they should leave like all the locals so that they are not destroyed. She argues with her mother under any pretext and talks about leaving. The mother, however, loves the house where she became a mother more than Edo imagines.
About the heroic struggle of the Vietnamese people against the French colonialists. Commander Dung, who is fighting on the front line, is sent to the rear to organize the supply of ammunition to the forward units.
Swedish-Eritrean radio host Meron Estefanos produces her weekly program at home in Stockholm where she broadcast, devoted entirely to the hundreds of Eritrean refugees held hostage in the Egyptian Sinai Desert. The Bedouins kidnap Eritreans making their way to Israel and demand large ransoms from their families. We follow Meron in her attempts to turn the tide by calling the hostages and kidnappers alike during her radio show. The film focuses on the stories of two hostages: A) Hiriyti was pregnant when she got kidnapped. We hear the young woman talking with her husband Amaniel in Tel Aviv, who is doing everything he can to free his wife and their baby from the torture camp. B) The ransom for 20-year-old Timnit has been paid, but her brother haven't heard anything from her since her flight to the Egyptian-Israeli border. The battle for Hiriyti's release and the search for Timnit takes Meron to Sinai. There, she stumbles on the marks left by the many atrocities.
A film about the people of Saigon told through the experiences of three young American journalists who, in 1970, explored the consequences of war and of the American presence in Vietnam. It is not a film about the Vietnam War, but about the people who lived on the fringe of battle. The views of the city are arresting, but away from the shrines and the open-air markets lies another city, swollen with refugees and war orphans, where every inch of habitable space is coveted. (NFB)
During the Battle of the Bulge, word goes out to watch for German soldiers dressed as GIs. That's when black sergeant Chris Christiansen begins wondering if the GI who befriended him is really a friend--or the enemy.