Rockefeller is a tough and resilient man, who has spent his life as a cowboy in the Wild West, always without fear and without remorse. He is the head of a large family, which he leads with authority, sharp words and a passionate temperament. In the village, Rockefeller faces an alcoholic doctor, a wise wife, a generous-hearted girl and a sheriff who takes justice into his own hands.
After the death of her husband, Jody and her daughter Samantha return to her home town. Sometimes she leaves Samantha with her old friend Winn. Only after an accident a doctor discovers that she has been abused - apparently by Winn! Jody reports immediately to the police and tries everything to avoid complications. But when it turns out that Winn still might win the case by some procedural tricks, she commits an act of desperation.
The protagonist of the film, a radio reporter, is a type of person who does not recognize any ethical standards on the way to a professional career. He builds successes in his journalistic career on the misfortune of another man - a woman who loves him. However, the tragic end of this procedure breaks him down and prompts him to take a desperate step.
In different parts of Tokyo, four young and seemingly healthy people suddenly die of heart failure at exactly the same moment. Reporter Kazuyuki Asakawa decides to investigate the deaths, and discovers that the four had stayed at a rural inn together just a week earlier. At the inn, he comes across a strange video that ends with a message saying that anyone who watches it will die exactly seven days later. Now the clock is ticking for Asakawa. Can he break the curse in time?
It's 1959 in a seedy bar in Philadelphia, and Billie Holiday is giving one of her last performances interlaced with salty, often humorous, reminiscences to project a riveting portrait of the lady and her music 4 months before her death.
An adaptation of Dickens' "A Christmas Carol " with Robert Guillaume as John Grin, the Scrooge character. His son Kevin has a role as the Bob Cratchit character, with Geoffrey Holder and Ted Lange as two of the Ghosts.
Sarah Fisher, an overly organized, by-the-numbers kind of woman, makes a "wish list" of all the qualities and traits her future husband should have. After finding the perfect man, she falls for a guy who meets none of her criteria and discovers that life and love don't always work out according to the master plan.
Kristin (Danica McKellar), daughter of upper middle class parents, can hardly stand the immense pressure to fulfill her mother's (Dee Wallace Stone) dream of success in sports and high school. In this tense situation she gets emotional support by Kenny, who secretly plans to make her pregnant and sell the baby for adoption. Based on a true story.
In 1964, John-Boy Walton is planning his wedding to Janet Gilchrist, the editor of a New York fashion magazine and the daughter of a diplomat. The two of them plan a small wedding and he invites the family and friends from Walton's Mountain to come to New York for the celebration. However, Janet's Aunt Flo has other ideas and begins to take over their wedding preparations. Added to the wedding plan stress, John-Boy is also trying to write an article about his Grandma, but decides that he needs to go home to escape the wedding preparations, as well as to reunite with his grandmother and fill in some gaps leaving Janet in New York trying to prevent her wedding from getting out of hand. But she too leaves the city and heads for Walton's Mountain to plan their wedding there.
Lena Kuchler, a Holocaust survivor, searches a Polish refugee camp for lost family members in the months after the war but instead finds 100 starving children with nowhere to go and nobody who wants them. She takes it upon herself to care for them, leading first to an isolated retreat, where they encounter antisemitic violence, and ultimately, to an exodus to Palestine.
In December of 1999, François organizes a retreat to a small island for himself, some friends, and their children to avoid the craziness of Paris during the turn of the millennium. Things quickly become tense between François and the young man who is the island's caretaker. Boredom and bickering add to the growing foreboding. By the end, will millennial noise in Paris seem mild in comparison to violence in the pastoral retreat?
A single mother determined to make it as a singer puts together an all-girl reggae group named Neeta, Sweeta, & Nastie with her friends. Living in a housing estate with little support, the odds are obviously against her. Emotionally she struggles too as she learns at her mother's death that her actual mother is the woman she had thought was her older sister. With the help of a female agent, the group starts to get some exposure and rises above their setting.
Harry Cliewer, a famous television journalist, is at the height of his career. His daring interview with a top banker becomes a scandal and a ratings hit. At the same time, his son Alex publishes his novel: a reckoning with his father. In it, he describes him as "greedy, horny and egotistical". The situation becomes unbearable for Cliewer. He flees - as far away as possible from the media publicity that he serves so well and which also dominates him. Also away from his long-term partner Amanda, whom he is cheating on but still can't let go of.
Bergman took one of his favourite plays to Copenhagen for a guest performance, which was even broadcast on Danish TV. In his Copenhagen The Misanthrope, Bergman maintained a dual approach. On the one hand, a production of Molière's play as a theatrical game performed in style and intellectually conceived; on the other hand, an exposure, through physical and psychological intensity, of the emotional tragedy in which Alceste and Celemine are both victims. Expectations were high prior to Bergman's production of The Misanthrope. A reviewer wrote, 'For the first time Molière's connection to the Danish stage is intercepted by a director whose forte is physiological tragedy, Strindberg over Holberg'. Many reviews had expected Bergman to put his very personal stamp on the production. Instead they experienced 'a clean Molière' and were struck by Bergman's faithfulness to the original mise-en-scene and to the classical rhythm of Molière's text.