Over the course of a year, film follows Vancouver Pride Society president Ken Coolen to various international Pride events, including Poland, Hungary, Russia, Sri Lanka and others where there is great opposition to pride parades. In North America, Pride is complicated by commercialization and a sense that the festivals are turning away from their political roots toward tourism, party promotion and entertainment. Christie documents the ways larger, more mainstream Pride events have supported the global Pride movement and how human rights components are being added to more established events. In the New York sequence, leaders organize an alternative Pride parade, the Drag March, set up to protest the corporatization of New York Pride. A parade in São Paulo, the world's largest Pride festival, itself includes a completely empty float, meant to symbolize all those lost to HIV and to anti-gay violence.
Follows the life of Yuldash Akhunbabayev, one of the first leaders of Uzbekistan. The painting covers the period from the late 1930s to the beginning of the Great Patriotic War.
By cross-editing footage of Portuguese workers protesting against NATO forces and various movies, Monteiro shows how one 'sword' can confront the army.
Students, including Aoi Nishino, take part in class and sports activity at a prestigious high school. Aoi Nishino is a member of the school's archery club. He practices archery studiously and doesn't socialize much with the other students. His childhood friend Haruka Seno is also a member of the archery club, but she worries about Aoi Nishino. One day, thunder strikes the school grounds. After that, the ordinary lives of the students changes drastically. Many samurai descend on the school grounds. It appears that the entire school has traveled back in time to the Sengoku period. Making things worse, they realize that they are in the time right before the Battle of Okehazama takes place.
Gurudas was a Sanskrit teacher in a village school in undivided Bengal. While teaching he felt the absence of an up-to-date lexicon in the Bengali language which has gained a new shape delinking itself from the original Sanskrit. In no time, he devoted himself to reconstructing a Dictionary and spent most of his life in pursuit of culling vocabularies from the mouths of common people. In the wake of the partition of Bengal in 1947, he came over to West Bengal and found shelter in a refugee camp. Meanwhile, he lost his daughter, son, and wife one after another, and was thrown into abject poverty still undaunted in spirit Gurudas went ahead with his mission. The only woman beside him was his widow daughter-in-law who kept vigil like unflinching flame of love and affection. When his work saw the light of day the erudite came crowding to show honor. The govt. conferred a befitting award but he refused. He was opposed to all these empty shows of honor.
As Alice and Cora Munro attempt to find their father, a British officer in the French and Indian War, they are set upon by French soldiers and their cohorts, Huron tribesmen led by the evil Magua. Fighting to rescue the women are Chingachgook and his son Uncas, the last of the Mohican tribe, and their white ally, the frontiersman Natty Bumppo, known as Hawkeye.
Based on real events in Macedonia during the Ottoman era. The plot revolves around a number of Macedonian revolutionaries battling against a large Ottoman-Turkish Army.
In 1890s Western Ukraine, Ivan Didukh, a proud and ripe Galician farmer, has decided to abandon his ancestral home to emigrate to Canada in search of a better life. His final hours are clouded by both internal and communal discord as his village convenes to ceremonially mark his departure. The celebrations that echo those of a funeral, forecast the imminent death of a man estranged from his motherland, and of an antiquated way of life on the cusp of obsoletion.
During a bridal ball toss, two sisters cast their destinies into the air. The elder’s ball lands with a nobleman; the younger’s, in the hands of a beggar. One rises to glory. The other dies in regret—until time turns back. Given a second chance, the younger sister rewrites the moment. But what if the beggar holds a secret, and fate has its own design?
History of modern Greece, so full of adventures: division, national turmoil, disaster, occupation and dictatorship together with the everyday stories of two families and the persons around them, their desires and destinies, through the eyes of a painting that changes hands and owners οver the years.
When the killer of an adolescent labor activist is acquitted, journalist Shahbaz Bhatti sees glaring loopholes in the verdict, and begins a quest for justice. But each lead he follows contradicts the one before, and the twisted story reveals the ugly truth of child labor in 1990s Pakistan.
Christians, Jews and Muslims believe there will a final battle between God and Satan. Believers and scholars are interviewed. Artwork and staged reenactments depict the end times.
In 1430, Joan of Arc, the prisoner of a powerful lord of the north of France is sold to the English. As a captive awaiting her death, she is approached by different men for whom she is believed to be the embodiment of the infinite.
On one of the October nights at the ball, gymnasium pupils and officers scoff at the love of Kuzma Zakharkin, the “cook's son”, to Lena, the daughter of the manufacturer. Cannon volley interrupts the fun. In the city begins the Moscow armed uprising of workers.
At the center of the fate of two families is the capitalist Leontyev and the worker Zakharkin, whose sons became the organizers and participants of this uprising.
The documentary dedicated to Andrzej Munk, a leading creator of the Polish Film School, was created based on unique archival materials. They made up a story about a man immersed in history, his artistic evolution and the emotions accompanying this process.
Evocation of the ruthless war which opposed from 1890 to 1894 the French colonial army to the young Ahydjere Behanzin, king and living god of Dahomey, who ended in his surrender and his exile.
A documentary composed of historical footage and contemporary interviews from the men and women of Los Alamos, recalling their experiences of the community and the creation of the atomic bomb from the inception of the program in 1943.