A young man with a love of horses, Scott Jordan (Roddy McDowall) lives on the family ranch with his uncle Bill (Damian O’Flynn). When he buys a wild stallion from his black-sheep cousin Daniel (Rand Brooks), Scott names the horse Midnight and does his best to tame him. But when the sheriff (Sky King’s Kirby Grant) suspects the stallion was stolen and Daniel’s plan to get rid of the horse ends with a man being trampled, Scott must prove Midnight acted in self-defense before his uncle destroys him. The fourth of six films McDowall coproduced and starred in for Monogram Pictures, Black Midnight was directed by Oscar “Budd” Boetticher, whose seven Westerns with Randolph Scott are considered classics of the genre.
Novelist Will James, a specialist in horse stories, wrote the yarn upon which 20th Century-Fox's Sand was based. Mark Stevens plays horse breeder Jeff Keane, who loses his prize stallion in a train accident. While the stallion roams wild and free, Keane enlists the aid of rancher Joan Hartley (Coleen Gray) in searching for the animal. Once the horse is located, it is clear that it has developed a mean streak, the result of various cruelties inflicted upon it by humans. Jeff and Joan combine their efforts to regain the horse's friendship. Veteran Native American actors Iron Eyes Cody and Jay Silverheels make significant supporting appearances. Sand was attractively filmed in Technicolor on location in Colorado.
The simplified plot has two different gangs attempting to wrest control of valuable Oklahoma oil lands from an orphaned girl, who is aided in her fight by her adopted father Chris Morrell.
Riders of the Dusk is another of Monogram's formula Whip Wilson westerns. Since the studio couldn't build an entire film around Wilson's bullwhip prowess, a plot was called for. This time around, it's the one about a U.S. marshal who searches high and low for a mysterious masked desperado. The mystery angle is minimal, since seasoned movie fans will be able to determine the mystery person's identity within 15 minutes. As always, Andy Clyde is a tower of comic strength as Whip Wilson's grizzled old sidekick.
Monte Hale has been working as a teller in a Texas bank during the summer to earn money for his medical college expenses during the upcoming year. He is about to leave to return to college when the bank is held up by two members of a notorious gang, headed by Marlowe, leaving Monte with the smoking gun of one of the bandits that killed the bank president. To avoid bringing disgrace on the family of his sweetheart, Julia Collins, by revealing that it was her brother Jeff, supposedly working in Denver, who induced him to open the back door of the bank to let the robbers in, Monte allows suspicion to rest on him until he can clear himself.
With a fondness for gambling, Jim Saunders is given to neglecting his wife and child. One night during his absence at the saloon, Miguel Gomez, a Mexican outlaw, for whom $1,000 reward is offered, enters Jim's home and demands food of Mrs. Saunders.
In the latter half of the 19th century, gold is discovered in the Black Hills, sacred land of the Lakota people. Gold diggers, profiteers and adventurers flock to the region. Among them is the hard-hearted land speculator Bludgeon, who tries to expel the Lakota using brutal methods. Lakota warriors retaliate, and soon the gold diggers' town becomes a battlefield.
Montana ranch owner Cyrus Bigbee sends his foreman, Gene Autry, and Rawhide Buttram to his Canadian timber land to stop the marriage of his daughter Sandy to Todd Markey, whom he dislikes. Sandy wants to turn the property into a dude ranch, with Carolina Cotton and the Cass County Boys (Fred S. Martin, Jerry Scoggins and Bert Dodson) among the entertainers, and runs up against local timbermen who want it for cutting timber. When a Mountie is murdered, with suspicion pointing to Todd, Gene finds the real culprit and brings peace to the area.
In pre-Revolutionary America, the efforts of a Colonial officer trying to broker a peace deal between Indian chief Pontiac and British and American settlers are threatened by the commander of a Hessian mercenary unit who embarks on a campaign of extermination against the Indians.
The Dawn of Understanding is a lost 1918 American silent Western comedy film produced by The Vitagraph Company of America and directed by David Smith. It stars Bessie Love in the first film of her nine-film contract with Vitagraph.
Northwest Mounted Police Corporal Jerry Hale is assigned to take over the district of a fellow-officer, and is puzzled as he had worked this district before and had been mysteriously transferred, disrupting his romance with Helen Brent, the niece of Peter Barkley, the Factor at the trading post. An accountant of the company Berkley works for threatens to expose him when his account is found $10,000 short. Barkley pleads for more time to raise the money. His opportunity arises when he learns that Helen's father and his brother-in-law, Nathan Brent, has struck it rich and is on his way to visit Helen. Barkley instructs his henchmen Carney and Breen to lie in wait and rob Brent of his gold. Brent has a premonition of trouble and buries his gold, making a map of the location. Barkley is disturbed by the arrival of Corporal Hale and goes to warn his men, and finds them already engaged in the attack on Brent. Brent's dog Wolfgang (played by a dog named Rex, or maybe the other way around)...