A mentally and physically scarred monster rampages through the old west, killing and raping as he seeks to meet up with his cohorts in a bank robbery. He is pursued by a vengeful posse who have no thoughts of bringing him back for justice.
This rather unconventional Western movie is set in the middle of the 19th century in Arizona. The film portrays an Indian tribe, the Mimbreno Appacheans, who are celebrating their Thanksgiving, building an irrigation plant, carrying on commerce, and trying to settle down in a rather constricted territory. But the confrontation with the white Americans changes their situation as the mercantile "gentlemen" want to prevent the Indian tribe to become independent from the white men′s business practices. Thus, they destroy the irrigation plant and chase the Indian tribe in an inhospitable territory where they cannot survive. Led by their chief Ulzana, the Appacheans thus start a bitter fight to preserve their habitat.
In 1890, the year of the U.S. census, chaos erupts when a stranger named Strindler arrives in a small town in Arizona and requests money for providing the names of dead Mexican laborers. Adapted from the novel by Nikolai Gogol.
After the death of his wife the baby was all the sheriff had left, the promise of hope in the future, and the reflection of all that was dear in the past. But a sheriff has no time to tread a cradle rocker, so the baby started off on the long journey to relatives across the desert. Then the sheriff was called away to hunt the "bad men" of the desert, and found there a deserted prairie schooner, the occupants dead and his baby gone.
Three stupid cowboys are lost in the woods without any food on the coldest night of the year. Will they succumb to the cold, cannibalism or the Christmas Spirit? Canada's infamous Astron-6 return to short form to challenge the very idea of storytelling. Grotesque. Absurd. Buñuel by way of the Zuckers and Abrahams.
Tex has been sent to investigate the theft of government provisions along the border. Kildare is the leader of the outlaw gang and has his men posing as Indians. He has already killed the incoming Marshal and assumed his identity. When Tex asks too many questons, he plans to get rid of him also.
Outlawed Guns stars Buck Jones as Reece Rivers, the nice-guy older brother of headstrong Babe Rivers. When Babe gets mixed up with outlaws, Reece loyally takes the rap. Eventually Babe pays for his recklessness with his life, but not before leading Reece to the film's head bad guy, gambler Jack Keeler.
U. S. Marshals Nevada Jack McKenzie and Sandy Hopkins come upon an overturned stagecoach with the driver and the passenger dead. They learn that the passenger, Hinkley, an archaeologist, has discovered an old Indian site that contains gold relics, and a gang has robbed him of the relics he was carrying. Jane Condon, daughter of Hinkley's partner who was also murdered, tells Nevada that an old Indian guide, Shag, is the only one who knows where the site is. The outlaws find Shag first, and kill him after forcing the information from him. Hinkley's son, Joel, arrives and knows where the site is and leads Nevada and Sandy there ahead of the outlaws.
Sintown is just a deserted ghost town until Vanerpool starts looking for silver. Cookie and Roy's partners put $20,000 into the business only to find that the mine is worthless and Vanerpool is bankrupt. Carol comes out to look for silver to save the company, but does not know that their engineer, named Regan, is crooked and wants all the silver for himself. But only Old Ed knows where the mother lode is located.
A good-natured but chivalrous cowboy romances the local schoolmarm and leads the posse that brings a gang of rustlers, which includes his best friend, to justice.
Young Sandra De Hault arrives by ship in Sacramento, California, during the 1849 Gold Rush. While on board she adopted three children whose mother had died during the voyage. While in Sacramento she is saved from the attentions of a violent drunk by Stanton Holliday, an agent for eastern banker John Grey. They fall for each other, but Sandra believes that the daughter of Halliday's boss is in love with him, and not wanting to hurt his career she leaves town.
Two famed bounty hunters and an adventurer searching for missing orphan children, find themselves facing off against a cruel mining baron and the small army he uses to control his crooked town.
Through a kindly act Broncho Billy earns the deep gratitute of Marion Rivers, who presents him with a Bible. Not long afterwards, she comes upon him as he is about to hold up the stage, but at sight of the girl he is overwhelmed with shame and taking out the little Bible promises her that he will live honorably. In the meantime, Marion's father holds up the stage at another point, and one of the stagecoach drivers, mounting a bareback pony, rides off for the sheriff. Broncho Billy sees Rivers get away with the money, and when he hears the sheriff and his men coming, for Marion's sake he goes to warn her father. To shield him, he takes the bags of money and rides away with the men after him. He leaves the money at the mile post with a note saying: "SAheriff, I'm through with Bear County, this stick-up was my last", and rides across the border. (Moving Picture World Synopsis)
While on a vacation, an elderly Buffalo Bill dreams of his adventures as a young man when he scouted for the cavalry, fought Indians and captured outlaws.
Tom Meyers and his partner have a little claim near a little western town. When Tom goes to town for supplies, he falls in with Slim Padgett, a bad man, who wagers that he can outride Tom. Tom races Slim and the contest is viewed by Betty Thompson, a ranch girl. Slim angered at being defeated, follows Tom to his mine, and discovers that Tom has found pay dirt.
Nebraska in the 1880's: bleak, lonely, and far from what you'd expect The Wild West to be. But for a naive Swedish immigrant, the frontier parlor of THE BLUE HOTEL represents the quintessential western fantasy. No one can convince The Swede that his dime-store notions about The West are foolish. He sees murderous intentions all around him and in his terror he turns everybody against him. Inevitably, the Swede attracts tragedy. However, who is responsible? The negative Swede? Or the cliquish hotel guests? Jan Kadar directs this timely story of how society punishes outsiders for being different.