An intimate exploration of the circumstances surrounding the incarceration of Native American activist Leonard Peltier, convicted of murder in 1977, with commentary from those involved, including Peltier himself.
Nando, a young horse wrangler in a rural Mexican village, has taken his own life following a disagreement with his father. Caballerango shows the boy’s family members and townspeople as they reckon with the new realities borne out of this inexplicable tragedy. Each account of Nando’s story reveals a different aspect of this rural town, which is deeply affected by modernization. The confrontation between the centuries-old ways of life and the modern-day world seems to be creating serious identity crises among the younger generation. The story is told in a patient, observational style with methodical shots of the landscape, ranches, and of the two white horses, whom Nando and his father tended to. Those horses, the last to see Nando alive, connect us to an ethereal sensation of almost otherworldly mystical beings.
The year 1957 was one of the most prolific for the Swedish filmmaker Ingmar Bergman: he shot two films, released two of his most celebrated films and produced four plays and a TV movie while juggling with a complicated private life.
A family fired by a company owned by LVMH (Group owned by French billionaire, Bernard Arnault) seeks reparation from their previous employer with the help of the movie director.
The strange case of Mikhail Khodorkovsky — once believed to be the wealthiest man in Russia — who rocketed to prosperity and prominence in the 1990s, served a decade in prison, and became an unlikely martyr for the anti-Putin movement.
Scholar Kelley Conway discusses director Agnès Varda’s unique approach to self-representation in THE BEACHES OF AGNÈS, in this interview recorded for the Criterion Collection in 2019.
14 year old Orsi Szentesi gets into art school. Her white-collar parents rarely see her. Orsi and her ten year old brother visit a wealthy countryside family during the summer break. She uses her art to keep a distance from everyone else, painting landscapes even as she's falling in love for the first time.
Digging through the vast collection of his father's home videos, a young man reconstructs the unthinkable story of his boyhood and exposes vile abuse passed through generations.
The iconic voice and noble philosophies proffered by Harry Dean Stanton punctuate this authentic look at life on the edge of wilderness. Follow the cowboys of Montana’s Fishtail Basin Ranch as they survive another calving season.
Features never-before-seen footage, interviews and artwork, spanning Burton's early career at Disney to the makings of his films Batman (1989), Edward Scissorhands (1990) and The Nightmare Before Christmas (1993), as well as Netflix’s Addams Family spin-off series Wednesday.
A look at the history of the American comedy publication and production company, National Lampoon, from its beginning in the 1970s to 2010, featuring rare and never before seen footage, this is the mind boggling story of The National Lampoon from its subversive and electrifying beginnings, to rebirth as an unlikely Hollywood heavyweight, and beyond. A humour empire like no other, the impact of the magazines irreverent, often shocking, sensibility was nothing short of seismic: this is an institution whose (drunk stoned brilliant) alumni left their fingerprints all over popular culture. Both insanely great and breathtakingly innovative, The National Lampoon created the foundation of modern comic sensibility by setting the bar in comedy impossibly high.
Film journalist and critic Rüdiger Suchsland examines German cinema from 1919, when the Republic of Weimar is born, to 1933, when the Nazis come into power. (Followed by Hitler's Hollywood, 2017.)
Every year hundreds of people - mostly women - are attacked with acid in Pakistan. Follow several of these survivors, their fight for justice, and a Pakistani plastic surgeon who has returned to his homeland to help them restore their faces and their lives.
Newsreels from the '30s constitute the bulk of this fascinating documentary, clearly illustrating that the public was fed an extremely biased view of events: straight propaganda, the stricture to provide entertainment, and the attempt to be objective all contributing to this. Lewis and producer Elizabeth Taylor-Mead have constructed their argument well, but it is Jonathan Dimbleby's brief comments towards the end that contain the crucial lesson: forty years on, the same forces work to distort our view of Northern Ireland. The film only indicates this to be the case, but it is precise and coherent enough to make the point with considerable force.