A feature-length documentary portrait of Québécoise painter Johanne Corno, who has lived and worked in New York City for more than 20 years. Ignored by the art intelligentsia in Québec, she settled abroad to escape that creative constraint, and built an enviable international career. Today, she casts a lucid eye on her work and describes the resources she draws on to survive in the jungle of the contemporary art world.
An exploration of Burroughs’ life story, as told by Burroughs himself along with many of his contemporaries, including Allen Ginsberg, Brion Gysin, Francis Bacon, Herbert Huncke, Patti Smith, Terry Southern, and William Burroughs Jr.
The film MISS REPRESENTATION exposes how American youth are being sold the concept that women and girls’ value lies in their youth, beauty and sexuality. Explores the under-representation of women in positions of power and influence in America, and challenges the media's limited portrayal of what it means to be a powerful woman. It’s time to break that cycle of mistruths.
Volksbühne am Rosa-Luxemburg-Platz 1992-2017. The end of the GDR gave rise to new artistic freedoms in reunited Berlin. Shortly after the fall of the Wall, rebel director Frank Castorf was appointed artistic director of the Volksbühne. His way of working altered the public’s perception of this theater. The chronological history of the Castorf era between 1992 and 2017 is told here in excerpts from the productions and in a series of conversations conducted on the long sofa in the theater's foyer.
Ditching the typical glossy sheen of celebrity documentaries, this film gives audiences an intimate and unvarnished view of Louis Tomlinson's life and career. Through never-before-seen home movie footage and behind the scenes access to Louis’ sell-out 2022 World Tour, the documentary offers a unique perspective on what it's like to be a musician in today's fast-paced world.
Biographical portrait of one of Broadway's most brilliant songwriters. Told through the use of archival material and interviews with the rich and famous that knew him, this portrait concentrates on his career and his public life events.
Amanda is a divorced woman who makes a living as a photographer. During the Fall of the year Amanda begins to see the world in new and different ways when she begins to question her role in life, her relationships with her career and men and what it all means. As the layers to her everyday experiences fall away insertions in the story with scientists, and philosophers and religious leaders impart information directly to an off-screen interviewer about academic issues, and Amanda begins to understand the basis to the quantum world beneath. During her epiphany as she considers the Great Questions raised by the host of inserted thinkers, she slowly comprehends the various inspirations and begins to see the world in a new way.
Norway's most popular duo Karpe, invest all their money and time in an immersive show to be performed for only 100 people. What is meant as a gift to the fans and a creative awakening after 20 years as artists, almost costs them their careers and their friendship.
Combining archival footage with rotoscopic animation, Tower reveals the action-packed untold stories of the witnesses, heroes and survivors of America’s first mass school shooting, when the worst in one man brought out the best in so many others.
In the late sixties, Spanish cinema began to produce a huge amount of horror genre films: international markets were opened, the production was continuous, a small star-system was created, as well as a solid group of specialized directors. Although foreign trends were imitated, Spanish horror offered a particular approach to sex, blood and violence. It was an extremely unusual artistic movement in Franco's Spain.
Director Andrew Jenks will sit former NBA center Shawn Bradley down for a candid interview which will act as the narrative spine for a short film about expectations, misconceptions, and a promise, which in hindsight may have not been entirely unfulfilled.
The film's subject is a photograph of Jane Fonda visiting Hanoi during the Vietnam War. It asks what the position of the intellectual should be in the class struggle and points out the irony of Jane Fonda's participation in the photo shoot, which was staged.
Lights, camera... chickens! Go behind the scenes with the Aardman team and director Sam Fell during the making of this finely crafted stop-motion sequel.
'Maestra' looks at what happens when women come together - the extraordinary. In March 2022, fourteen women gathered in Paris to show the world the singular talent that unites them and which, for far too long, has been considered the pursuit of only men. Mothers, daughters, rebels, leaders - over four days, each took to the stage to compete in 'La Maestra', the only competition in the world for female conductors. A mother of twin toddlers from Athens, determined to show her kids anything is possible, a Ukrainian doing all she can to focus on her art and the competition in front of her while Russia invades, a Polish student just starting out, and a French immigrant returning to the city that closed its doors to her many years ago. Personal stories of survival, passion and perseverance are woven together with the drama and excitement of this one of a kind event created to break yet another glass ceiling for women.
Leonardi's film about the Living Theatre is less concerned with a straight documentary presentation of the exile theatre group from New York, but rather is concerned with the specific atmospheric factor which is indicated by their name, and which constitutes the highly suggestive effect of their playing. Cutting, for Leonardi, is the most decisive aesthetic device. The result is a wonderfully composed furioso of pictures. The hand-held camera catches rehearsals, conversations without sound, bits of theatre and daily life actions (which, for Living Theatre people, is very often intermixed).
Avant-Drag! paints portraits of ten drag artists of varying gender expressions and sexualities who take to the streets of Athens to query, problematise and (yes, please!) undermine social strictures. Employing wildly imagined personas – like riot housewives and Albanian turbo-folk girls – who perform acts as revolutionary as praising abortion and as charming as drawing childish pictures, these artists call for social justice by taking aim at conservatism, patriarchy, patriotism, racism and sexism.