Feisty, fiercely independent and firmly rooted in place, 90 year-old Mabel Robinson broke barriers back in the 40s when she became the first woman in Hubbards, Nova Scotia, to launch her own business—a hairdressing salon where she still provides shampoo-n-sets over 70 years later. Weaving animation and archival imagery with intimate and laugh out loud moments in the salon, the film celebrates the power of friendship, doing what you love and staying active. With no desire to retire anytime soon, Mabel gives voice to a generation who are not front and center of cinema or the pop hairstyles of the day, and subtly shifts the lens on our perception of beauty and the elderly.
A behind-the-scenes look at the eleven-year process it took to make The Painted Bird. The narratives of director Václav Marhoul and actor Petr Kotlár weave their way through the various stages of the film's creation, offering their subjective views from the beginning to the last flap of a year-and-a-half long shoot.
In this hybrid political thriller and verité portrait documentary, Sara Nodjoumi, working with co-director and husband, Till Schauder, makes her directorial debut with this personal film, diving into the mystery surrounding the disappearance of more than 100 “treasonous” paintings by her father, seminal Iranian modern artist Nickzad Nodjoumi.
In 1967, Visconti came to Algiers for the filming of The Stranger with Mastroianni and Anna Karina. Camus, during his lifetime, had always refused to allow one of his novels to be brought to the screen. His family made another decision. The filming of the film was experienced in Algiers, like a posthumous return of the writer to Algiers. During filming, a young filmmaker specializing in documentaries Gérard Patris attempts a report on the impact of the filming of The Stranger on the Algerians. Interspersed with sequences from the shooting of Visconti's film, he films Poncet, Maisonseul, Bénisti and Sénac, friends of Camus, in full discussions to situate Camus and his work in a sociological and historical context. “The idea is for us to show people, others, ourselves as if they could all be Meursault, or at least the witnesses concerned to his drama.”
Fascinating chronicle of the ascendancy of FC Barcelona - possibly the top team in the world and powerful emblem of Catalan identity - 'Barca: More than a Club'. Director Jordi Llompart charts the team's inexorable rise from its origins with founder Joan Gamper more than 100 years ago to a Champion's League-winning side that boasts striker Lionel Messi and prestigious coach Pep Guardiola.
Featuring a wealth of previously unseen archive, this film looks at how Bowie continually evolved: from Ziggy Stardust to the Soul Star of Young Americans, to the ‘Thin White Duke’. It explores his regeneration in Berlin with the critically acclaimed album Heroes, his triumph with Scary Monsters and his global success with Let’s Dance. With interviews with all his closest collaborators, David Bowie - Five Years presents a unique account of why Bowie has become an ‘icon of our times’.
Each year in the United States, unparalleled innovations in medical diagnostics, treatment, and technology hit the market. But when the same devices designed to save patients end up harming them, who is accountable?
... with real-life portraits of Jayne Mansfield, Frak O'Hara, Ruth Ford, Ned Rorem, Virgil Thomson, Claes Oldenburg, Roy Lichtenstein, William Burroughs, Andy Warhol, Rudy Gernreich, Jonas Mekas and others.
When artist-turned-filmmaker Jill Magid learns that the archives of Mexico's most famous architect are being held in a private collection, she devises a radical plan to explore the contested legacy of the late Luis Barragán.
A documentary that follows six young dancers from around the world as they prepare for the Youth America Grand Prix, one of the most prestigious ballet competitions in the world.
A TNT Sports Original Documentary featuring 40+ head coaches who examine how to navigate the chaos and unpredictability of the Men's College Basketball Tournament
A train ride takes the audience through the rugged countryside to see the Sardinian people of today. Their independence and self-reliance is emphasized. Sheep are tended and the treatment of their wool is depicted. A wedding and a funeral service are shown, as well as the annual “Ardia” festival with horsemen commemorating historical events.
The moon is the subject here. Man's fascination with the moon (via animation) is presented, as is the moon's usage in popular culture (from Shakespeare to nursery rhymes to popular songs). Also, superstitions and suppositions associated with the moon is presented. Then scientific research on the moon is shown, followed by plans for (and then a simulation of) an actual trip around the moon.
Pauline Kael (1919–2001) was undoubtedly one of the greatest names in film criticism. A Californian native, she wrote her first review in 1953 and joined ‘The New Yorker’ in 1968. Praised for her highly opinionated and feisty writing style and criticised for her subjective and sometimes ruthless reviews, Kael’s writing was refreshingly and intensely rooted in her experience of watching a film as a member of the audience. Loved and hated in equal measure – loved by other critics for whom she was immensely influential, and hated by filmmakers whose films she trashed - Kael destroyed films that have since become classics such as The Sound of Music and raved about others such as Bonnie and Clyde. She was also aware of the perennial difficulties for women working in the movies and in film criticism, and fiercely fought sexism, both in her reviews and in her media appearances.