A man in green shorts stands ready, an iron and a red blanket in front of him. The man begins to iron the blanket. Shortly afterwards, a woman in a yellow sweater stands there and begins to iron the same blanket. Together they take turns ironing. But despite their efforts, the blanket remains wrinkled, because the creases they are trying to smooth out are the very ones they themselves are causing. What begins as a joint activity soon escalates into a conflict. Conceived as a loop, the film deals with themes such as control, naivety, and the bittersweet hope for renewal, inviting viewers to find parts of themselves in the simplicity of everyday objects.
In the near future, where selfishness dominates the headlines, a disillusioned news anchor enters the studio, ready to report on crises, conflicts, and disasters as usual. But what awaits him causes his professional facade to crumble: the field reporter announces that people are voluntarily collecting trash. A woman says that a stranger at the checkout simply let her go ahead of her. And it goes on: a new currency called 'Kindness First' is gaining value, and the renowned Kittel Institute in Freiburg reports the outbreak of a social phenomenon: compassion.
In a dystopian future, a German journalist is deported to Nigeria under a fascist regime's "remigration pact." There, he struggles against a dehumanizing bureaucracy and, in his desperate attempt to reach his family in Ghana, must grapple with the limits of pride and morality.
The mayor of Oberarschenberg collects welcome gifts for a refugee family in a box. Unfortunately, not everyone in the village is as welcoming to the refugees as the mayor would like. The carpenter entrusted with building the box maliciously hides a bomb under a false bottom. The mayor carries the box through the village and asks for gifts for the new arrivals—sometimes with more success, sometimes with less.
The Kleinschmidts had imagined their reunion with their son Ferdinand differently. The table is set, the roast is cooking in the oven, the wine is ready—everything is supposed to taste of family, normality, and control. But when Ferdi stands at the door, he is not alone: next to him is Sylvia, his new girlfriend, who is not only accompanying him, but leading him on a dog leash.
Solène is an ambitious photographer in financial difficulty. When a call from a former client interrupts a photo shoot with her friend Camille, she has no idea what a strange assignment she is about to be given. Finally, the caller tells Solène about his last wish for a very special photo—and in doing so, shakes her entire worldview. An intense journey through her thoughts and feelings begins as she struggles with herself, the assignment, and somehow also with the whole world.
By chance, street photographer Fred witnesses a theft. He pursues the thief, Mia, and discovers that she commits numerous crimes throughout the day. He is hot on the heels of a serial offender. With growing enthusiasm, he observes her carrying out her devious maneuvers—and photographs her. When Mia settles down to rest in a park, Fred sees his chance to confront her. Inspired by Mia's dexterity, Fred turns the tables.
On a lonely hike, Max gets lost deep in the forest. Darkness falls, his supplies are running low, and his cell phone has no reception. Relieved, he discovers a seemingly abandoned hut that serves as a rest stop for hikers. Exhausted and thirsty, he enters, unaware that he is walking into a deadly trap.
This true crime thriller is inspired by the real-life case of serial killer Rodney Alcala in the late 1970s. It tells the story of his encounter with young Ellen Hover. The story begins in a park, where Rodney first secretly observes and photographs the young woman before charming her into conversation. He persuades Ellen to take part in a photo shoot.
In the privileged suburbs of a Mexican city, Lucas, a boy on the cusp of puberty, tries to find his place—torn between friendship, desire, and violence. The film paints a portrait of youth, especially in those moments when tenderness and complicity collide with toxic behavior, misogyny, and dark humor. This coming-of-age film is a reflection on the invisible patterns that shape human behavior and are often passed on unnoticed among Mexican youth, especially in the upper social classes. The film invites us not to judge, but to take a closer look at how these forces shape identity and relationships.
Nikita and Alex squat a vacant, gutted apartment. Between playing hide-and-seek and dancing, reality catches up with them when the landlord shows up with renovation plans. Hidden close together in a closet, the boys experience a moment of intimacy. When the coast is clear, Nikita rushes away. Alex is left behind, bewildered.
What does it mean to be 'united'? Two intelligences, AI and humans, jointly explore the topic of 'unity' with its many different facets: sounds, words, dance, glances, touch, feelings, intuition... The connection between the two proves to be complex. Can a bridge be built between humanity and technology?
The story of Mohammed Noor, who rose from humble beginnings in Makkah to become one of Saudi Arabia's most celebrated footballers. The documentary traces his career with Al-Ittihad Club, where his commanding presence led the team to domestic and continental titles. Noor's influence extended beyond his club, representing Saudi Arabia in the 2002 and 2006 FIFA World Cups. This film highlights both his success and personal hardships, delivering a powerful message about resilience and the lasting legacy he has left for generations to come.
Saudi adventurer Badr Al-Shibani embarks on a quest: to climb the highest peak on each of the world's seven continents. Seven Summits documents his journey, which is as much a test of survival as it is a personal voyage of self-discovery. From the most remote and toughest peaks to his ultimate challenge on Mount Everest, Al-Shibani's story is a powerful exploration of human resilience, the search for identity and the firm drive to push past both physical and internal limits.