This compilation of Gerard Malanga's short films consists of a collection of extremely rare footage and film portraits providing candid and interesting glimpses of Bob Dylan, Salvador Dalí, Jane Fonda and The Velvet Underground among other 1960s icons and featuring original music by Angus MacLise, who was the first drummer to perform with The Velvet Underground.
This biography, shown on American television as part of the PBS "Great Performances" series, examines the life works of one of Hollywood's most celebrated animators, Chuck (Charles M.) Jones. He is best known for Warner Brothers cartoons featuring Bugs Bunny, Daffy Duck, Elmer Fudd, Porky Pig, Road Runner, Wile E. Coyote, and Pepe LePew. Included are plenty of behind-the-scenes descriptions of how an animated film is made, and (best of all) many clips from Chuck's cartoons.
In a little house all for herself, an elderly woman moves through her day. While she tends to every chore on the docket, we learn some things about her. She has a green thumb, she speaks Polish while on the phone, she likes to nap. A prayer sounds. They are words from her mother-in-law, Polish poet Zofia Bohdanowiczowa, who was also displaced from her native Poland. Three generations meet, one by writing, one by living, and the third by the very making of this film, a composition of her ancestors through sound and image.
Alongside a passionate cast and crew, follow Walker Scobell, Leah Sava Jeffries and Aryan Simhadri as they step into worlds fit for gods, battle unforgettable creatures, and perform legendary stunts.
More fight choreography footage and in fact seems to be documenting more than one fight scene, unless one simply takes the entire film as one long extended fight scene, which isn't that far fetched of a perception.
Impressions of a hardrock miner's life, suitable for the classroom, filmed at the Falconbridge Nickel Mine at Sudbury, Ontario, and showing also the increasing use of nickel in today's space age. Much of what is shown was filmed in the dim world far underground where, "in a bubble of air in a solid mass of rock," the miner drills the ore face.
When disaster strikes, who profits? FRONTLINE and NPR investigate the Business of Disaster in a major, multiplatform collaboration focused on the aftermath of Superstorm Sandy: the thousands still not home, the agencies that were supposed to help, and the companies that made millions.
A documentary about Italy's underground oil and metan deposits, sponsored by Italian state-owned oil company, ENI. Pictures of the state-of-the-art oil infrastructure are mixed with others of the traditional way of living of poorer Italian regions.
Shot on location in Idaho, Wyoming, Alaska and New Zealand, TGR’s flagship film won two awards at the international Film Festival and was voted Best movie of the Year by France’s acclaimed SKIEUR Magazine. The all time soul favorite.
A sick man discovers empathetic wisdom on how to cope with his deadly autoimmune disease within the colorful expressive works of the late Swiss-German modern artist, Paul Klee.
Working closely with the Van Gogh Museum in Amsterdam, Sunflowers goes beyond a ‘virtual exhibition’, delving into the rich and complex stories behind each of the paintings to unveil the mysteries of the sunflowers. What did the flowers mean to Van Gogh, and why do they resonate so much with audiences today? With a striking portrayal of the artist by actor Jamie de Courcey and fascinating insights from art historians, botanists and everything in between, the film offers a unique insight into Van Gogh’s life and artwork.
A deeply intimate and highly cinematic documentary featuring the Dalai Lama, who, at nearly ninety year of age, offers practical advice for navigating the 21st century's challenges.
The film documents modern slave trade through a number of African countries, under dictatorship rule. The filming was conducted both in public places, and sometimes with the use of hidden cameras, for high impact scenes of nudity, sex, and violence - and a few surprises, as slaves made out of peregrins to Asia, and slave traders paid in traveller checks.
Despite a war raging close by, mud treatments and electroshock therapies continue at Kuyalnik Sanatorium, an enormous 1970s brutalist building on the shores of Odesa, where a small group search for love, healing, and happiness.